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	<title>Shoot 4 Change &#187; S4C</title>
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		<title>Three Three Three + 12</title>
		<link>https://www.shoot4change.eu/three-three-three-12/</link>
		<comments>https://www.shoot4change.eu/three-three-three-12/#comments</comments>
		<pubDate>Tue, 15 Oct 2024 18:07:43 +0000</pubDate>
		<dc:creator><![CDATA[Redazione]]></dc:creator>
				<category><![CDATA[featured]]></category>
		<category><![CDATA[stories]]></category>
		<category><![CDATA[autism]]></category>
		<category><![CDATA[autismo]]></category>
		<category><![CDATA[de Lamdrid]]></category>
		<category><![CDATA[gemelli]]></category>
		<category><![CDATA[S4C]]></category>
		<category><![CDATA[storytelling]]></category>
		<category><![CDATA[triplet]]></category>

		<guid isPermaLink="false">https://www.shoot4change.eu/?p=15595</guid>
		<description><![CDATA[We're back (and yes, very soon we'll update you and where we have been and what is in the pipeline...)...]]></description>
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<p>We're back (and yes, very soon we'll update you and where we have been and what is in the pipeline...).</p>
<p>And today we're back with one the most beautiful stories we have told.</p>
<p>You surely remember the story told by <a href="https://www.instagram.com/joseantoniodelamadrid/?hl=it" target="_blank">Jose Antonio de Lamadrid </a>about the lives of Alejandro, Alvaro and Jaime (<a href="https://www.shoot4change.eu/three-three-three-tres-tres-tres/" target="_blank">Tres, Tres, Tres)</a>, three triplets who share a deep and unique bond: Autism Spectrum Disorder (ASD). He kept following them and telling their story and documenting their lives from 2012 to 2024.</p>
<p>We had published the initial story and now here is the follow up.</p>
<p>During a period when the prevalence of ASD has increased from 1 in 166 children to 1 in 100 by 2024, this story offers an intimate glimpse into the daily lives and challenges faced by those living with this condition.</p>
<p><img class="aligncenter size-large wp-image-15638" src="https://www.shoot4change.eu/wp-content/uploads/2024/10/combo11-1024x500.jpg" alt="combo1" width="960" height="469" /></p>
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<p>ASD is a neurodevelopmental disorder that manifests in early childhood and accompanies a person throughout their life. It encompasses<br /> a wide range of characteristics, including difficulties in communication and social interaction, restricted interests, and challenges in adapting flexibly to their environment.</p>
<p>For Alejandro, Álvaro, and Jaime, this has meant facing obstacles and learning strategies to fully engage in social relationships and better understand the world around them.</p>
<p>The triplets’ parents, Noelia and Jaime (who sadly passed away in 2016), recall how the signs of ASD began to appear when the boys were around 12 months old. They noticed that the children did not respond to their names or point to objects of shared interest, such as airplanes in the sky, barking dogs, or sweets they desired. After multiple medical and psychological evaluations, the diagnosis of ASD was confirmed, marking the beginning of a unique journey for the family.</p>
<p><img class="aligncenter size-large wp-image-15640" src="https://www.shoot4change.eu/wp-content/uploads/2024/10/combo21-1024x724.jpg" alt="combo2" width="960" height="679" /></p>
<p>Álvaro, who suffered a brain injury at birth, received specific education for people with autism during his childhood and adolescence. Meanwhile, his brothers Alejandro and Jaime attended special education classes in schools until the age of 21, striving to integrate into society as best as possible.</p>
<p>Despite sharing an autism diagnosis, Alejandro, Jaime, and Álvaro exhibit different degrees and manifestations of the condition, developing skills and interests unique to their preferences. Each possesses exceptional talents: Alejandro, nicknamed “the artist,” has shown a remarkable talent for drawing and solving complex puzzles since the age of six; Jaime has a prodigious memory, capable of recalling dates and names with astonishing precision; and Álvaro, always accompanied by his “inventions,” creates figures with clay and other objects that provide him with entertainment and stimulation.</p>
<p>Over the years, the triplets have had the support of their parents, professionals, and a large family network in a world marked by repetition and often, misunderstanding.</p>
<p><img class="aligncenter size-large wp-image-15641" src="https://www.shoot4change.eu/wp-content/uploads/2024/10/combo31-1024x724.jpg" alt="combo3" width="960" height="679" /></p>
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<p>Despite the challenges, they strive to connect with others; autism does not imply isolation, but rather the need to acquire tools for social interaction, tools they were not born with.</p>
<p><img class="aligncenter size-large wp-image-15642" src="https://www.shoot4change.eu/wp-content/uploads/2024/10/comb41-1024x724.jpg" alt="comb4" width="960" height="679" /></p>
<p>They have also experienced the love and strength of their mother, Noelia, who has rebuilt her life alongside Edmundo in recent years.</p>
<p>The storyof this journey, brought to us by Jose de La Madrid, which began more than a decade ago, reminds us of the importance of giving voice to those who navigate life with different abilities. Alejandro, Álvaro, and Jaime have taught us that autism, like every aspect of the human experience, comes with its own beauty, complexity, and potential for connection. Their story isn’t just about challenges—it’s about perseverance, creativity, and the unbreakable bonds of family.</p>
<p>At Shoot4Change, we believe in the power of storytelling to break down barriers and foster understanding. As we continue to follow the lives of these remarkable brothers, we are reminded that by sharing such stories, we can shine a light on both the struggles and the triumphs of those living with autism, encouraging a more inclusive and compassionate world.</p>
<p>Antonio Amendola</p>
<p>(story and <a href="https://www.instagram.com/joseantoniodelamadrid/?hl=it" target="_blank">photos</a> by <a href="http://delamadrid.com" target="_blank">Jose Antonio de Lamdrid</a>)</p>
<p><img class="aligncenter size-large wp-image-15643" src="https://www.shoot4change.eu/wp-content/uploads/2024/10/combo51-724x1024.jpg" alt="combo5" width="724" height="1024" /></p>
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 Alejandro, Álvaro y Jaime tienen 17 años y son hermanos trillizos con  autismo, un complejo desorden neurológico que afecta alrededor de 1 cada 166 niños en el mundo, duermen en la cama de sus padres. Sevilla, España 2012" />						</div>
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		<item>
		<title>Through their Eyes (a Project and an Exhibition in Bruxelles)</title>
		<link>https://www.shoot4change.eu/through-their-eyes-a-project-and-an-exhibition-in-bruxelles/</link>
		<comments>https://www.shoot4change.eu/through-their-eyes-a-project-and-an-exhibition-in-bruxelles/#comments</comments>
		<pubDate>Fri, 31 Mar 2023 14:04:06 +0000</pubDate>
		<dc:creator><![CDATA[Antonio Amendola]]></dc:creator>
				<category><![CDATA[belgium]]></category>
		<category><![CDATA[EVENTS]]></category>
		<category><![CDATA[EXHIBITIONS]]></category>
		<category><![CDATA[featured]]></category>
		<category><![CDATA[stories]]></category>
		<category><![CDATA[brussels]]></category>
		<category><![CDATA[children]]></category>
		<category><![CDATA[kids]]></category>
		<category><![CDATA[Molenbeek]]></category>
		<category><![CDATA[photography]]></category>
		<category><![CDATA[S4C]]></category>
		<category><![CDATA[ukraine]]></category>
		<category><![CDATA[Ukrainian Civil Society Hub]]></category>

		<guid isPermaLink="false">https://www.shoot4change.eu/?p=15583</guid>
		<description><![CDATA[Unleashing inspiring creativity through PhotographyJoin us for an evening of inspiration as we celebrate the opening of the first photo..]]></description>
				<content:encoded><![CDATA[<div id="pl-15583"><div class="panel-grid" id="pg-15583-0" ><div class="panel-grid-cell" id="pgc-15583-0-0" ><div class="so-panel widget widget_black-studio-tinymce panel-first-child panel-last-child" id="panel-15583-0-0-0"><h3 class="widget-title">Unleashing inspiring creativity through Photography</h3><div class="textwidget"><p>Join us for an evening of inspiration as we celebrate the opening of the first photo exhibition by a group of talented young Ukrainian refugees in Brussels!</p>
<p><img class="aligncenter size-full wp-image-15591" src="https://www.shoot4change.eu/wp-content/uploads/2023/03/screenshot_20230331_160053_onedrive.jpg" alt="Screenshot_20230331_160053_OneDrive" width="1812" height="1628" /></p>
<p>Over the past months, Shoot4Change, the atelier ciné-photo de la Maison des Cultures de Molenbeek and the Ukrainian Civil Society Hub joined forces,  with the support of AT&amp;T and others, and provided these children with free Photography classes, allowing them to express their emotions and overcome the stereotypes and traumas associated with war.</p>
<p>Through this exhibition, these young photographers aim to showcase a new reality, beyond the images of Russian aggression in Ukraine that dominate the media and social networks.</p>
<p>Next Monday we will present some inspiring portraits of their families, shot by this new generation of storytellers.</p>
<p>The result is a powerful testament to the transformative power of photography and the resilience of these young artists.</p>
<p>We invite you to join us at the Ukraine Civil Society Hub at the Station Europe in Place Luxembourg (in front of the European Parliament) on Monday, April 3rd at 18:00, to witness the creativity and resilience of these talented young artists</p>
<p>Working with these talented kids has been truly exciting and inspiring. There is nothing better than unleashing kids creativity!</p>
<p>Let's come together to celebrate the power of photography and the voices of these young storytellers, then.</p>
<p>Remember, some stories disappear without anybody to tell them. But storytellers are nothing without anybody listening to them.</p>
<p>See you there!</p>
<p>Antonio Amendola</p>
<p> </p>
<p><img class="aligncenter size-full wp-image-15586" src="https://www.shoot4change.eu/wp-content/uploads/2023/03/ukraine-2.jpg" alt="ukraine 2" width="2550" height="3300" /><img class="aligncenter size-full wp-image-15585" src="https://www.shoot4change.eu/wp-content/uploads/2023/03/ukraine-s4c.jpg" alt="Ukraine s4c" width="2550" height="3300" /></p>
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		<title>S4C Next Generation, Namibia</title>
		<link>https://www.shoot4change.eu/s4c-next-generation-namibia/</link>
		<comments>https://www.shoot4change.eu/s4c-next-generation-namibia/#comments</comments>
		<pubDate>Sat, 23 Nov 2019 14:27:04 +0000</pubDate>
		<dc:creator><![CDATA[Antonio Amendola]]></dc:creator>
				<category><![CDATA[featured]]></category>
		<category><![CDATA[REPORTAGE]]></category>
		<category><![CDATA[spain]]></category>
		<category><![CDATA[stories]]></category>
		<category><![CDATA[team]]></category>
		<category><![CDATA[Basters]]></category>
		<category><![CDATA[Davide Camesasca]]></category>
		<category><![CDATA[Gochas]]></category>
		<category><![CDATA[Judit Figueras]]></category>
		<category><![CDATA[Nama]]></category>
		<category><![CDATA[Namibia]]></category>
		<category><![CDATA[Next generation]]></category>
		<category><![CDATA[Nicoló Bruna]]></category>
		<category><![CDATA[photography]]></category>
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		<category><![CDATA[Spain]]></category>
		<category><![CDATA[townships]]></category>

		<guid isPermaLink="false">https://www.shoot4change.eu/?p=15136</guid>
		<description><![CDATA[While on the field for a project, a S4C Team engaged with a local community in Namibia. And&#8230;(below in Spanish)..]]></description>
				<content:encoded><![CDATA[<div id="pl-15136"><div class="panel-grid" id="pg-15136-0" ><div class="panel-grid-cell" id="pgc-15136-0-0" ><div class="so-panel widget widget_black-studio-tinymce panel-first-child" id="panel-15136-0-0-0"><h3 class="widget-title">While on the field for a project, a S4C Team engaged with a local community in Namibia. And&#8230;</h3><div class="textwidget"><p><span style="color: #800000;">(below in Spanish)</span></p>
<p>Last June, the Shoot4Change team formed by the photographer Davide Camesasca, the filmmaker Nicoló Bruna and the journalist Judit Figueras, spent 13 days in Namibia. The aim of their trip was to document the situation of children living in a village in the southeast of the country, Gochas.</p>
<p> </p>
<p><img class="alignleft size-medium wp-image-15134" src="https://www.shoot4change.eu/wp-content/uploads/2019/11/19_dav_3125-300x200.jpg" alt="19_DAV_3125" width="300" height="200" />During their stay, Davide, Nicoló and Judit carried out an audiovisual workshop addressed to the primary school students of Gochas. Throughout the day, the Shoot4Change team briefed the children on the basic concepts of photography and video, showing them examples of professional audiovisual and photographic samples.</p>
<p> </p>
<p>Lastly, they conducted a practical exercise with the multiple digital cameras that had been collected before the trip. In this last assignment, different small groups were set up so that the students could learn how the camera works and how to use it properly. Once the practice was over, the children were given a photographic task about their day-to-day life in the community and they had to deliver it within three days.</p>
<p> </p>
<p><img class="alignright size-medium wp-image-15142" src="https://www.shoot4change.eu/wp-content/uploads/2019/11/29_dav_3181-300x200.jpg" alt="29_DAV_3181" width="300" height="200" />The images that the kids portrayed reflected a harsh reality and difficult living conditions. Most of the children in Gochas live in an area called 'the location'. In this marginalized zone, the houses are shacks made of rubbish, plastics, wood and asbestos. These shanties have neither a tap nor access to electricity.</p>
<p><div id="attachment_15160" style="width: 1032px" class="wp-caption aligncenter"><img class="wp-image-15160" src="https://www.shoot4change.eu/wp-content/uploads/2019/11/067_img_4149.jpg" alt="067_IMG_4149" width="1022" height="681" /><p class="wp-caption-text">ph: Davide Camesasca/S4C Spain</p></div>
<p> </p>
<p>Like most Namibian villages, Gochas is split into two and sometimes three parts. The white population and the Basters (descendants of Dutch and indigenous people) live in the more wealthy sectors and in the 'location' resides the majority of the Nama ethnic population, which is the black community.</p>
<p> </p>
<p>In Gochas, the Nama people still drag on a colonial and historical legacy marked by marginalization and racial separation. After Germany's defeat in World War I, the League of Nations handed over Namibia, then known as the German South West Africa and controlled by the Germans since 1840, for the benefit of the South African Union, which is now South Africa.</p>
<p><img class="aligncenter size-full wp-image-15140" src="https://www.shoot4change.eu/wp-content/uploads/2019/11/27_dav_3200.jpg" alt="27_DAV_3200" width="1000" height="667" /></p>
<p>In 1948, the Afrikaners, an ethnic group of Dutch descent that arrived in Namibia after the country fell under South African hegemony, imposed an Apartheid system in South Africa and, therefore, also in the region of South-West Africa, the current Namibia. Apartheid, which means "separation" in Afrikaans, implanted a segregation system between different racial groups for the political benefit of the white population. Despite the fact that in 1966 the South West African People's Organization (Swapo), an insurgent guerrilla group, declared war on the South African regime and in 1990 proclaimed the country's independence, Namibia's black population remains economically disadvantaged in comparison to whites. In fact, according to the United Nations Development Programme (UNDP), Namibia is the second most unequal country in the world in terms of its population’s wealth, only surpassed by its neighbour South Africa. </p>
<p><div id="attachment_15158" style="width: 970px" class="wp-caption aligncenter"><img class="wp-image-15158 size-large" src="https://www.shoot4change.eu/wp-content/uploads/2019/11/003_dav-0282-1024x682.jpg" alt="003_DAV-0282" width="960" height="639" /><p class="wp-caption-text">ph: Davide Camesasca/S4C Spain</p></div>
<p>Some of the child cases that Shoot4change team was able to screen had either dropped out of school or were at risk of doing so. Most of them are orphans and live with a family member who, in almost all cases, is addicted to alcohol. Alcoholism, due to a very high unemployment rate and the aftermath of colonialism, is the main problem affecting the Nama population and, consequently, the minors. The adults in charge of these children are no longer responsible under the effects of this substance and, in many cases, the kids do not have food, clean clothes and a minimum of hygiene.</p>
<p> </p>
<p><img class="aligncenter size-full wp-image-15130" src="https://www.shoot4change.eu/wp-content/uploads/2019/11/13_img_0309.jpg" alt="13_IMG_0309" width="1000" height="667" />Theopauline Goliath, the former principal of the primary school in Gochas, showed the situation of the children who were in a more critical situation. She is the one who invited Shoot4Change to travel to Gochas and asked them help in the construction of a shelter that would give the children a safe home with a healthy environment.</p>
<p> </p>
<p>One of the most worrying stories was Flora's, a 10-year-old girl who lost her parents, both affected by AIDS, and now lives with an adult couple (59 and 60 years old) who do not work and spend most of their time drinking in a shack that brews beer. Flora also lives with her younger sister, Michelle, and the two grandchildren of the couple she lives with, whom she cares for, feeds and cleans. On weekends, she feeds the other children living in the district. With other children, she organizes groups to hunt birds, pluck them and roast them on the fire. According to Flora, she helps other children because she feels sorry for them. In addition, the child admits that she doesn't like living with her adoptive grandmother because when she drinks too much, she punishes her, beats her and insults her.</p>
<p><img class="aligncenter size-full wp-image-15149" src="https://www.shoot4change.eu/wp-content/uploads/2019/11/36_dav_3226.jpg" alt="36_DAV_3226" width="1000" height="667" /></p>
<p>After the fieldwork, the three members of Shoot4Change now start their photographic, audiovisual and journalistic projects, in which they will capture the reality of the children who live in this Namibian village.</p>
<p> </p>
<p>Shoot4Change does not forget its social mission and, therefore, the result of their efforts will be used to carry out a fundraising campaign aimed at improving the lives of these children. </p>
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</div></div><div class="so-panel widget widget_black-studio-tinymce panel-last-child" id="panel-15136-0-0-3"><h3 class="widget-title">Mientras trabajaba en un proyecto, un equipo S4C se comprometio&#8217; con una comunidad local. Y&#8230;.</h3><div class="textwidget"><p>El pasado mes de junio, el equipo de Shoot4Change formado por el fotógrafo Davide Camesasca, el filmmaker Nicoló Bruna y la periodista Judit Figueras, estuvieron en Namibia un total de 13 días. El objetivo de su viaje fue documentar la situación de los niños y niñas de un poblado en el sud-este del país, Gochas.</p>
<p> </p>
<p><img class="alignright size-medium wp-image-15127" src="https://www.shoot4change.eu/wp-content/uploads/2019/11/09_dav_3033-300x200.jpg" alt="09_DAV_3033" width="300" height="200" />Durante su estancia, Davide, Nicoló y Judit llevaron a cabo un taller audiovisual dirigido a los alumnos de la escuela primaria de Gochas. A lo largo de la jornada, se explicó a los menores los conceptos básicos en fotografía y vídeo, se les mostró ejemplos de trabajos audiovisuales y fotográficos profesionales.</p>
<p> </p>
<p>Finalmente, se llevó a cabo una práctica con las diferentes cámaras digitales que se habían recaudado previamente al viaje. En este último ejercicio se formaron diferentes grupos reducidos con la intención de que los estudiantes conocieran el funcionamiento de la cámara y aprendieran a utilizarla correctamente. Una vez finalizada la práctica, se encargó a los niños un trabajo fotográfico sobre el día a día en su comunidad y lo tuvieron que entregar en un plazo de tres días. </p>
<p><div id="attachment_15161" style="width: 970px" class="wp-caption aligncenter"><img class="wp-image-15161 size-large" src="https://www.shoot4change.eu/wp-content/uploads/2019/11/094_img_4296-1024x683.jpg" alt="094_IMG_4296" width="960" height="640" /><p class="wp-caption-text">ph: Davide Camesasca/S4C Spain</p></div>
<p>En las imágenes que retrataron los menores se reflejaba una realidad dura y unas condiciones de vida difíciles. La mayoría de los niños en Gochas viven en una zona llamada ‘location’. En esta área marginada, las casas son chabolas hechas a base de desechos como plásticos, madera y uralita. Estos barracones no disponen ni de un grifo de agua corriente, ni tampoco tienen acceso a la electricidad. </p>
<p> </p>
<p><img class="alignleft size-medium wp-image-15146" src="https://www.shoot4change.eu/wp-content/uploads/2019/11/32_dav_3205-300x200.jpg" alt="32_DAV_3205" width="300" height="200" />Como la mayoría de los pueblos en Namibia, Gochas está dividido en dos y, a veces, tres partes. La población blanca y los basters (descendientes de holandeses e indígenas) viven en los sectores más acomodados y en la ‘location’, reside la mayoría de población de etnia nama, es decir, la comunidad negra. </p>
<p> </p>
<p>En Gochas, la población nama sigue arrastrando un legado colonial e histórico marcado por la marginación y la separación racial. Después de la derrota alemana en la Primera Guerra Mundial, la Sociedad de las Naciones entregó a Namibia, entonces llamada África del Sur-Oeste Alemana y controlada por los alemanes desde 1840, en beneficio de la Unión Sudafricana, la actual Sudáfrica.</p>
<p> </p>
<p>En 1948 los afrikáners, una etnia de origen neerlandés que llegó a Namibia después de que el país cayera bajo la hegemonía sudafricana, impusieron un sistema Apartheid en Sudáfrica y, por tanto, también en la región de África del Sud-Oeste, la actual Namibia. El Apartheid, que significa “separación” en lengua afrikaans, implantó una segregación entre los diferentes grupos raciales en beneficio político de la población blanca. Pese a que en 1966 la Organización Popular de África del Sud-Oeste (Swapo, en sus siglas en inglés), un grupo guerrillero insurgente, declarara la guerra al régimen sudafricano y en 1990 proclamara la independencia del país, la población negra en Namibia sigue en desventaja económica respecto a la población blanca. De hecho, según el Programa de Desarrollo de las Naciones Unidas (UNDP, en sus siglas en inglés), Namibia es el segundo país del mundo con más desigualdad entre la población, sólo superado por su vecina Sudáfrica.</p>
<p><img class="aligncenter size-full wp-image-15138" src="https://www.shoot4change.eu/wp-content/uploads/2019/11/25_dav_3178.jpg" alt="25_DAV_3178" width="1000" height="667" /></p>
<p>Algunos de los casos de niños que el equipo de Shoot4change pudo analizar habían abandonado la escuela o se encontraban en riesgo de hacerlo. La mayoría de ellos son huérfanos y viven con algún familiar que, en casi todos los casos, abusa del consumo alcohólico. El alcoholismo, debido a una tasa de paro muy elevada ya las secuelas del colonialismo, es el principal problema que afecta a la población nama y, en consecuencia, a los menores. Los adultos responsables de estos niños y niñas dejan de serlo bajo los efectos de esta sustancia y, en muchas ocasiones, los pequeños no disponen de comida, ropa limpia y una mínima higiene.</p>
<p><div id="attachment_15159" style="width: 970px" class="wp-caption aligncenter"><img class="wp-image-15159 size-large" src="https://www.shoot4change.eu/wp-content/uploads/2019/11/024_dav_7766-1024x683.jpg" alt="024_DAV_7766" width="960" height="640" /><p class="wp-caption-text">ph: Davide Camesasca/S4C Spain</p></div>
<p>Theopauline Goliath, la antigua directora de la escuela primaria de Gochas, fue la encargada de mostrar la situación de los menores que se encontraban en una situación más crítica. Ella es quien propuso a Shoot4Change viajar a Gochas y pidió su ayuda para la construcción de una casa de acogida que de a los menores un hogar seguro con un ambiente saludable.</p>
<p> </p>
<p>Uno de los casos más preocupantes fue el de Flora, una niña de 10 años que perdió a sus padres, ambos afectados por el sida, y ahora vive con un matrimonio adulto (59 y 60 años) que no trabaja y pasa la mayoría de su tiempo bebiendo en una chabola que realiza las funciones de destilería. Flora también vive con su hermana pequeña, Michelle, y los dos nietos biológicos de la pareja con la que reside, a los que cuida, alimenta y limpia. Los fines de semana, la pequeña se ocupa de alimentar a los otros menores que viven en el barrio. Junto con otros niños, se organizan en grupos para cazar pájaros, desollarlos y asarlos al fuego. Según Flora, ayuda a otros niños porque siente lástima por ellos. Además, la menor admite que no le gusta vivir con su abuela adoptiva porque cuando bebe demasiado la castiga, la golpea y la insulta. </p>
<p> </p>
<p>Una vez realizado el trabajo sobre el terreno, los tres miembros de Shoot4Change inician ahora sus proyectos fotográficos, audiovisuales y periodísticos, en los que plasmarán la realidad de los niños que viven en este poblado de Namibia. Shoot4Change no olvida su función social y, por ello, el resultado de sus esfuerzos servirá para llevar a cabo una campaña de recaudación de fondos que tendrá la finalidad de mejorar la vida de estos menores.  </p>
<p><img class="aligncenter size-full wp-image-15148" src="https://www.shoot4change.eu/wp-content/uploads/2019/11/35_dav_3220.jpg" alt="35_DAV_3220" width="1000" height="667" /></p>
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		<title>Those smiling faces&#8230;</title>
		<link>https://www.shoot4change.eu/those-smiling-faces/</link>
		<comments>https://www.shoot4change.eu/those-smiling-faces/#comments</comments>
		<pubDate>Sat, 12 Jan 2019 15:06:38 +0000</pubDate>
		<dc:creator><![CDATA[Redazione]]></dc:creator>
				<category><![CDATA[featured]]></category>
		<category><![CDATA[REPORTAGE]]></category>
		<category><![CDATA[stories]]></category>
		<category><![CDATA[andre liohn]]></category>
		<category><![CDATA[combat photography]]></category>
		<category><![CDATA[Iraq]]></category>
		<category><![CDATA[ISIS]]></category>
		<category><![CDATA[S4C]]></category>

		<guid isPermaLink="false">https://www.shoot4change.eu/?p=15047</guid>
		<description><![CDATA[Today I'm truly happy to feature Andre Liohn, an old friend, a friend of S4C and one of the best..]]></description>
				<content:encoded><![CDATA[<div id="pl-15047"><div class="panel-grid" id="pg-15047-0" ><div class="panel-grid-cell" id="pgc-15047-0-0" ><div class="so-panel widget widget_black-studio-tinymce panel-first-child" id="panel-15047-0-0-0"><div class="textwidget"><p>Today I'm truly happy to feature <a href="https://en.wikipedia.org/wiki/André_Liohn" target="_blank">Andre Liohn</a>, an old friend, a friend of S4C and one of the best and most accomplished combat photographer of our times.</p>
<p>There is no need to introduce him. He became the first Latin American photojournalist to receive the prestigious Robert Capa Gold Medal by the Overseas Press Club for his work on the Libyan Civil War. He devoted his Life in documenting the most horrible social and humanitarian crisis around the World (his work documenting the challenges faced by health care personal working in conflict areas, has been used by the ICRC's Health Care in Danger project, denouncing cases violence against health care personal around the World) with an unusual sensible approach to storytelling and empathy for those who lived those stories.</p>
<p>What we show today are different pictures. </p>
<blockquote><p>These are not photos that could be published in newspapers or magazines, they are not pictures that tell the story of the events that were happening and that led me to be in that place and moment next to these men. These photos do not tell what happened before and also, they do not tell what could or would happen after they were made. These photos were made as if what had brought us there had stopped to exist. These photos show moments of relaxation amidst the eminent and often inevitable, final point in the lives of those who appear in them smiling. Many of the soldiers in these photos no longer live, some, lost their lives days and even hours after I photographed them. These photos remind me of dear friend Captain Walidi, a hero who died while helping his soldiers to rescue an injured friend. I feel flattered that I have met each of these people.</p>
</blockquote>
<p>They pay a tribute to the men he crossed in Iraq. Most of them do not live anymore. Many died just after taking those shots. But many are still there, fighting terrorists in their own Land. They are the ones to whom we owe the fall of ISIS.</p>
<p> </p>
<p>And there is also another image that struck my attention</p>
<p><div id="attachment_15062" style="width: 970px" class="wp-caption aligncenter"><a href="https://www.shoot4change.eu/wp-content/uploads/2019/01/al1.jpg"><img class="wp-image-15062 size-large" src="https://www.shoot4change.eu/wp-content/uploads/2019/01/al1-1024x348.jpg" alt="I found this camera, half buried beneath debris, among the bodies of dozens, perhaps hundreds of Islamic state fighters, dead, some, for days and others, dead, just a few hours before. It was on July 17, 2017, the temperature in Mosul was over 50 degrees Celcius, the oily stench exhaled by corpses that decomposed and melted because of the heat and the insects devouring them from inside and out, penetrated my parched nostrils leaving a metallic and nauseating taste in my mouth.  I tried in vain to identify which of them could have used this camera, almost in a relapse, as if I could feel the same compassion I would feel for a colleague, a photographer who had been killed for being there, at that moment, documenting the facts that one day could help us to better understand the story we were seeing before our eyes.  No, this camera was never in the hands of a person interested in documenting the facts, but in distorting them and in the worst case, this camera has been in the hands of assassins who may have used it to produce the hundreds of photos and videos that this terrorist group used to spread fear, sadness and hatred, videos like the one they produced when my brother James Foley was cowardly murdered. This photo camera brings me different feelings, but also, it gives me the certainty of the responsibility that we, photojournalists, assume every time we raise our own photo cameras to document the moments that define history (Andre Liohn)" width="960" height="326" /></a><p class="wp-caption-text">I found this camera, half buried beneath debris, among the bodies of dozens, perhaps hundreds of Islamic state fighters, dead, some, for days and others, dead, just a few hours before. It was on July 17, 2017, the temperature in Mosul was over 50 degrees Celcius, the oily stench exhaled by corpses that decomposed and melted because of the heat and the insects devouring them from inside and out, penetrated my parched nostrils leaving a metallic and nauseating taste in my mouth.<br /> I tried in vain to identify which of them could have used this camera, almost in a relapse, as if I could feel the same compassion I would feel for a colleague, a photographer who had been killed for being there, at that moment, documenting the facts that one day could help us to better understand the story we were seeing before our eyes.<br /> No, this camera was never in the hands of a person interested in documenting the facts, but in distorting them and in the worst case, this camera has been in the hands of assassins who may have used it to produce the hundreds of photos and videos that this terrorist group used to spread fear, sadness and hatred, videos like the one they produced when my brother James Foley was cowardly murdered. This photo camera brings me different feelings, but also, it gives me the certainty of the responsibility that we, photojournalists, assume every time we raise our own photo cameras to document the moments that define history (Andre Liohn)</p></div>
<p> </p>
<p>A tribute to Photojournalism and to those who raise their camera every time to document the moments that define history.</p>
<p>Antonio Amendola</p>
<p> </p>
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		<title>REFU-GENIUS</title>
		<link>https://www.shoot4change.eu/refu-genius/</link>
		<comments>https://www.shoot4change.eu/refu-genius/#comments</comments>
		<pubDate>Tue, 01 Jan 2019 21:30:14 +0000</pubDate>
		<dc:creator><![CDATA[Redazione]]></dc:creator>
				<category><![CDATA[featured]]></category>
		<category><![CDATA[REPORTAGE]]></category>
		<category><![CDATA[stories]]></category>
		<category><![CDATA[Abrusci]]></category>
		<category><![CDATA[Hoopal]]></category>
		<category><![CDATA[Middlesbrough institute of modern art]]></category>
		<category><![CDATA[MIMA]]></category>
		<category><![CDATA[refugees]]></category>
		<category><![CDATA[S4C]]></category>
		<category><![CDATA[UK]]></category>

		<guid isPermaLink="false">https://www.shoot4change.eu/?p=15022</guid>
		<description><![CDATA[(a story by Alessandro Abrusci  and Jenni Crowther/ S4C Bari)   This is H. He is 12 years old and..]]></description>
				<content:encoded><![CDATA[<div id="pl-15022"><div class="panel-grid" id="pg-15022-0" ><div class="panel-grid-cell" id="pgc-15022-0-0" ><div class="so-panel widget widget_black-studio-tinymce panel-first-child" id="panel-15022-0-0-0"><div class="textwidget"><p>(a story by Alessandro Abrusci  and Jenni Crowther/ S4C Bari)</p>
<p> </p>
<p>This is H. He is 12 years old and tells us he is working on the formula for quantum tunnelling (one of the most complex and mysterious concepts in quantum mechanics).</p>
<p> </p>
<p>We met H. at a <a href="https://mapmiddlesbrough.org.uk" target="_blank">MAP (Methodist Asylum Project) </a>drop-in centre for refugees and asylum seekers in Middlesbrough, a large town in the north-east of England. It's the school holidays and H. is at the centre because his parents are helping at the project and he's too young to stay at home. The family is from Iran and came to the UK two years ago, forced to leave their home country for sensitive reasons which, even though the family have permanent UK residency status, they did not feel comfortable to discuss with us.</p>
<p><div id="attachment_15035" style="width: 1010px" class="wp-caption aligncenter"><a href="https://www.shoot4change.eu/wp-content/uploads/2019/01/dsc00820.jpg"><img class="size-full wp-image-15035" src="https://www.shoot4change.eu/wp-content/uploads/2019/01/dsc00820.jpg" alt="Hoopal at MIMA (Middlesbrough institute of modern art) who are proud supporters of MAP" width="1000" height="667" /></a><p class="wp-caption-text">H. at MIMA (Middlesbrough institute of modern art) who are proud supporters of MAP</p></div>
<p> </p>
<p>Our attention was first dawn to H. as he was attempting to play pool with some of the older men who had come to the Wednesday morning drop-in event run by the local charity MAP (Methodist Asylum Project). A group of men and older boys from Somalia, DRC and Eritrea have spent the morning bonding with cues in hand, when one of the oldest, a man from Somalia who is awaiting the processing of his second or third asylum appeal, encourages H. to come and have a go. H. is unfamiliar with how to hold the cue, and the man patiently demonstrates the bent-knuckled hand position, to enable him to try to hit the ball.</p>
<p> </p>
<p>Curious, we ask one of MAP‘s trustees for information about H. and are told that he‘s a bit of a Math genius and last year he won a prize in the UK Mathematics challenges. Interest piqued, we asked permission from H.’s father and mother to speak with him. They agree after consulting each other and H. to see if he would be willing to talk with us and possibly have his picture taken.</p>
<p><div id="attachment_15033" style="width: 1010px" class="wp-caption aligncenter"><a href="https://www.shoot4change.eu/wp-content/uploads/2019/01/dsc00695.jpg"><img class="size-full wp-image-15033" src="https://www.shoot4change.eu/wp-content/uploads/2019/01/dsc00695.jpg" alt="12 year old Iranian, Hoopal playing chess" width="1000" height="667" /></a><p class="wp-caption-text">12 year old Iranian, H. playing chess</p></div>
<p>Speaking with H. is a wild ride. His passion and enthusiasm for his favourite subject is at once bafﬂing and infectious. For a non-quantum buff, which is most of us, the conversation is an exercise in concentration and amazement. His speech is littered with rapid-fire theorem, as if his mind works at ten-times the speed of his tongue and it is a struggle for his linguistic expression to keep up. He tells us about his current work on the formula to try "to find a way to increase the wavelength of particles, or just create a particle that could change its wavelength”- (a key component of quantum tunnelling it seems). It's hard to know how to respond in more sophisticated ways than wide-eyed amazement, we start wishing we were more worthy conversationalists for him. We ask if H. could potentially invent time-travel, he says he hopes so, as it is theoretically possible using a wormhole.</p>
<p> </p>
<p><div id="attachment_15034" style="width: 1010px" class="wp-caption aligncenter"><a href="https://www.shoot4change.eu/wp-content/uploads/2019/01/dsc00723.jpg"><img class="size-full wp-image-15034" src="https://www.shoot4change.eu/wp-content/uploads/2019/01/dsc00723.jpg" alt="On his first ever trip to Middlesbrough Library reading room, Hoopal discovers the Astronomy section" width="1000" height="667" /></a><p class="wp-caption-text">On his first ever trip to Middlesbrough Library reading room, H. discovers the Astronomy section</p></div>
<p>Asked how long he has been interested in maths, H. says enthusiastically "Since I was born!" He started really studying at ﬁve years old, encouraged by his Mum, a maths teacher with a Physics degree, his Uncle who had a profound impact on him as an engineer, and his Dad, a financial manager, who suggests ”it's in his genes.”</p>
<p> </p>
<p>He tells us that his favourite difference between school in the UK and in Iran is that, there, they only did maths a couple of times a week, but now it's maths every day. In Tehran he read books for research but now in Middlesbrough he mostly uses the internet.</p>
<p> </p>
<p>His father tells us that mathematics education is strong in Iran and competition is fierce, but still H. reminisces that there was once a national competition when he was around eight-years old that was held five times per year and he won all five and set a new record. He says this made him very happy, as it was hard at the time, but looking back now the maths seems easy. Explaining why he loves maths competition he says "it makes you challenge your way of thinking and that's really interesting... helps you think outside the box... and this is the way to go to create new things".</p>
<p> </p>
<p><a href="https://www.shoot4change.eu/wp-content/uploads/2019/01/dsc01167.jpg"><img class="alignleft size-medium wp-image-15039" src="https://www.shoot4change.eu/wp-content/uploads/2019/01/dsc01167-300x200.jpg" alt="DSC01167" width="300" height="200" /></a>His mathematical heroes (aside from his father) are Nikola Tesla and Albert Einstein. After briefly explaining to us the finer points of E-MC2, he says the best thing Tesla did was the invention of free electricity, “which sadly never made it to market” H. muses, his enthusiasm for how this development could benefit mankind, evident.</p>
<p> </p>
<p>As H. explains how he uses Google to travel to other planets and galaxies, and how he is keen to do this for real, we ask if he's seen Star Wars. He hasn’t, and adds that his interest in possibly watching the films would be to analyse the science behind it. He asks us if Star Wars is set in a 3.0 or 4.0 society, adding that our current society is probably about 0.7 as "... we can't use all our [single planetary] resources usefully."</p>
<p> </p>
<p>We ask him if he is happy here (in Middlesbrough). "Yeah" he replies, elaborating on the differences between the two countries; ”Here’s a lot more advanced, a lot more forward technology, there's better-shaped homes, more football and more maths."</p>
<p> </p>
<p>As for the future, he would like to continue to compete in the mathematics prizes, with an eye on studying Physics and Quantum mechanics at Oxford or Harvard. Perhaps this incredible youngster, could end up following in the footsteps of Caucher Birkar, another Iranian refugee, now a professor of mathematics at Cambridge who was awarded a Gold medal in the 2018 Fields Prize, the discipline‘s highest honour.</p>
<p><div id="attachment_15025" style="width: 1010px" class="wp-caption aligncenter"><a href="https://www.shoot4change.eu/wp-content/uploads/2019/01/dsc00595.jpg"><img class="size-full wp-image-15025" src="https://www.shoot4change.eu/wp-content/uploads/2019/01/dsc00595.jpg" alt="Deliberate or not, a reminder of the universal currency that pays for the MAP project" width="1000" height="667" /></a><p class="wp-caption-text">Deliberate or not, a reminder of the universal currency that pays for the MAP project</p></div>
<p>Whatever his future, there is no doubt that H. has the kind of mind and attitude that this planet needs more of in this time of environmental turbulence. He is phenomenally bright and deeply passionate about the potential of scientific and mathematic advances to help humanity solve our mounting problems.</p>
<p> </p>
<p>This is a story of one young man with extraordinary potential, but without doubt, there are countless other stories like this, if one had the resources and interest to delve into the personal lives of the people who come to Europe seeking shelter and a chance for their children to grow up with access to education.</p>
<p> </p>
<p>Without wanting to over-state the potential of young H. it is important to recognise that we can't predict which brilliant key individuals will be instrumental in ensuring the survival of our species and revolutionising our lifestyles. We can't know their nationality of origin or personal history. But what is almost certain is that they will come from H.'s generation and they will need all the support we can give them, whichever country they come from.</p>
<p> </p>
<blockquote><p>How fortunate we are in politically-stable countries to be able to offer access to our educational facilities to families from all over the world; and how fortunate our children are to be able to learn alongside children from other cultures.</p>
</blockquote>
<p> </p>
<p><div id="attachment_15038" style="width: 310px" class="wp-caption alignright"><a href="https://www.shoot4change.eu/wp-content/uploads/2019/01/dsc01141.jpg"><img class="size-medium wp-image-15038" src="https://www.shoot4change.eu/wp-content/uploads/2019/01/dsc01141-300x200.jpg" alt="Dave Pisaro leads the choir group preparing for the Christmas concert" width="300" height="200" /></a><p class="wp-caption-text">Dave Pisaro leads the choir group preparing for the Christmas concert</p></div>
<p>The warm-welcome, resources, support and sense of belonging that the MAP project provides to H.’s family and wider refugee community in Middlesbrough offers a golden opportunity. MAP is demonstrating through action all of the noble qualities necessary to thrive in a vastly diverse community of global individuals.</p>
<p> </p>
<p>As war, famine and political-oppression force people to seek safe, stable places to live. Perhaps we who receive them, are being presented with a gift not a headache. Perhaps by opening our minds and hearts, we are being given the opportunity to develop understanding and empathy for those whose suffering is far greater than our own.</p>
<p>We can choose to react with anger, born of fear and mistrust, or we can develop humility, gratitude and generosity; like the volunteers involved in MAP are so gracefully demonstrating, day-in and day-out, in this little-visited, seldom thought-of, friendly town in the North East of England.</p>
<p>Alessandro Abrusci and Jenni Crowther/ S4C Bari</p>
<p> </p>
</div></div><div class="so-panel widget widget_black-studio-tinymce" id="panel-15022-0-0-1"><h3 class="widget-title">PHOTO GALLERY</h3><div class="textwidget"></div></div><div class="so-panel widget widget_sow-slider panel-last-child" id="panel-15022-0-0-2"><div class="so-widget-sow-slider so-widget-sow-slider-base-abf3e628296a">
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		<title>Alicia Furman</title>
		<link>https://www.shoot4change.eu/alicia-furman/</link>
		<comments>https://www.shoot4change.eu/alicia-furman/#comments</comments>
		<pubDate>Fri, 20 Apr 2018 20:45:51 +0000</pubDate>
		<dc:creator><![CDATA[Antonio Amendola]]></dc:creator>
				<category><![CDATA[featured]]></category>
		<category><![CDATA[stories]]></category>
		<category><![CDATA[argentina]]></category>
		<category><![CDATA[buenos aires]]></category>
		<category><![CDATA[desaparecidos]]></category>
		<category><![CDATA[madri]]></category>
		<category><![CDATA[Nicla Sisto]]></category>
		<category><![CDATA[S4C]]></category>

		<guid isPermaLink="false">http://www.shoot4change.eu/?p=14897</guid>
		<description><![CDATA[(testo e foto di Nicla Sisto) - English version below -  Il mio lavoro mira a ripercorrere un’indelebile traccia “nella..]]></description>
				<content:encoded><![CDATA[<div id="pl-14897"><div class="panel-grid" id="pg-14897-0" ><div class="panel-grid-cell" id="pgc-14897-0-0" ><div class="so-panel widget widget_black-studio-tinymce panel-first-child" id="panel-14897-0-0-0"><div class="textwidget"><div class="page" title="Page 1">
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<p>(testo e foto di <a href="http://www.niclasisto.it" target="_blank">Nicla Sisto</a>)</p>
<p><span style="color: #800000;">- English version below - </span></p>
<p><img class="alignright size-medium wp-image-14898" src="https://www.shoot4change.eu/wp-content/uploads/2018/04/alicia-furman_-nsisto_02-300x200.jpg" alt="Alicia Furman_ NSisto_02" width="300" height="200" />Il mio lavoro mira a ripercorrere un’indelebile traccia “nella e della” memoria di una donna, Alicia Furman, argentina, classe 1945, sorella di Oscar Cesar Furman, medico, militante montoneros, scomparso nel nulla insieme ad altri 30.000 desaparecidos, precisamente il 28 novembre del 1976, durante gli anni della dittatura civico - militare argentina.</p>
<p>Ripercorrendo con lei le non-tracce, ascoltando i suoi racconti, ho incontrato le vicissitudini di un intero popolo, in un periodo storico non molto lontano dai nostri giorni, le cui conseguenze sono ancora oggi respirabili e palpabili, soprattutto a causa dell’ultimo cambio di governo nel 2015.</p>
<p>Alicia mi ha condotto nella storia, raccontandomi di proteste, sparizioni, centri di detenzioni clandestine, voli della morte e soprattutto delle Madri di Plaza de Mayo, donne coraggiose e disperate che, attraverso la lotta e la divulgazione, hanno portato l’attenzione su quanto nel loro paese stava avvenendo. Ed è grazie alle Madri che, persone come Alicia, hanno potuto ritrovare una strada ed in alcuni casi anche una verità.</p>
<p>La giustizia è ancora lontana ma la vita va avanti, come questa settantenne e questo popolo dimostrano ancora.</p>
<p><img class="alignleft wp-image-14901 size-medium" src="https://www.shoot4change.eu/wp-content/uploads/2018/04/alicia-furman_-nsisto_05-300x200.jpg" alt="Alicia Furman_ NSisto_05" width="300" height="200" />Attraverso i suoi sguardi, la sua vita, i suoi frammenti, ripercorrendo, insomma, la storia di un singolo, ho tentato di raccontare e ricostruire una sorta di memoria collettiva.</p>
<p>Io credo che la storia di Alicia, di Oscar e di conseguenza di tantissimi argentini, si collochi all’interno di quel confine, entro cui giocano destino comune e singole storie, in cui grandi dinamiche si intersecano a piccole dinamiche ed il particolare si fonda al generale, un confine difficile da interiorizzare.</p>
<p>Nicla Sisto</p>
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</div></div><div class="so-panel widget widget_black-studio-tinymce panel-last-child" id="panel-14897-0-0-3"><h3 class="widget-title">Alicia Furman</h3><div class="textwidget"><div class="page" title="Page 1">
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<p><span style="color: #800000;">(by <a href="http://www.niclasisto.it" target="_blank">Nicla Sisto</a>)</span></p>
<p><span style="color: #800000;"><img class="alignleft size-medium wp-image-14913" src="https://www.shoot4change.eu/wp-content/uploads/2018/04/alicia-furman_-nsisto_16-300x200.jpg" alt="Alicia Furman_ NSisto_16" width="300" height="200" />My work aims to trace an indelible mark “in and of“ the memory of a woman, Alicia Furman, Argentine, born in 1945, sister of Oscar Cesar Furman, doctor, militant Montoneros, disappeared with another 30,000, precisely on November 28, 1976, during the years of civic dictatorship - Argentine military. </span></p>
<p><span style="color: #800000;">Looking back with her non-tracks, listening to his stories, I met the vicissitudes of an entire people, in a time not far from our days, the consequences of which are still breathable and palpable, especially because of the last change government in 2015. </span></p>
<p><span style="color: #800000;">Alicia brought me to the story, telling of protests, disappearances, clandestine detention centers, death flights and especially of Mothers of the Plaza de Mayo, brave and desperate women who, through struggle and dissemination, brought attention to what was happening in their country. And it is thanks to Mothers, people like Alicia, have been able to find a road, and in some cases also a truth.</span></p>
<p><span style="color: #800000;"><img class="aligncenter size-full wp-image-14916" src="https://www.shoot4change.eu/wp-content/uploads/2018/04/alicia-furman_-nsisto_19.jpg" alt="Alicia Furman_ NSisto_19" width="1000" height="631" /> </span></p>
<p><span style="color: #800000;">Justice is still far away, but life goes on, as this septuagenarian and this people show yet. Through his eyes, his life, his fragments, retracing, in short, the story of an individual, I have tried to tell and to rebuild a kind of collective memory.</span></p>
<p><span style="color: #800000;">I believe that the story of Alicia , Oscar and consequently of many Argentines expected to lie within that boundary , within which they play common destiny and individual stories , in which the great dynamics intersect at small dynamic and detail is based on general , a difficult border to internalize.</span></p>
<p><span style="color: #800000;"><a style="color: #800000;" href="http://www.niclasisto.it" target="_blank">Nicla Sisto</a></span></p>
<p><img class="aligncenter size-full wp-image-14907" src="https://www.shoot4change.eu/wp-content/uploads/2018/04/alicia-furman_-nsisto_10.jpg" alt="Alicia Furman_ NSisto_10" width="1000" height="646" /></p>
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		<title>Il campo degli invisibili</title>
		<link>https://www.shoot4change.eu/il-campo-degli-invisibili/</link>
		<comments>https://www.shoot4change.eu/il-campo-degli-invisibili/#comments</comments>
		<pubDate>Sun, 04 Mar 2018 13:15:33 +0000</pubDate>
		<dc:creator><![CDATA[Antonio Amendola]]></dc:creator>
				<category><![CDATA[communitys4c]]></category>
		<category><![CDATA[featured]]></category>
		<category><![CDATA[REPORTAGE]]></category>
		<category><![CDATA[stories]]></category>
		<category><![CDATA[VIDEO]]></category>
		<category><![CDATA[immigrati]]></category>
		<category><![CDATA[integrazione]]></category>
		<category><![CDATA[intolleranza]]></category>
		<category><![CDATA[Invisibili]]></category>
		<category><![CDATA[razzismo]]></category>
		<category><![CDATA[rifugiati]]></category>
		<category><![CDATA[S4C]]></category>
		<category><![CDATA[thierno]]></category>

		<guid isPermaLink="false">http://www.shoot4change.eu/?p=14818</guid>
		<description><![CDATA[(di Agata Katia Lo Coco/S4C) Contrada Erbe bianche, località Campobello di Mazara (Tp). Thierno ci racconta la situazione dei lavoratori..]]></description>
				<content:encoded><![CDATA[<div id="pl-14818"><div class="panel-grid" id="pg-14818-0" ><div class="panel-grid-cell" id="pgc-14818-0-0" ><div class="so-panel widget widget_black-studio-tinymce panel-first-child panel-last-child" id="panel-14818-0-0-0"><div class="textwidget"><p>(di <a href="http://www.agatakatialococo.com" target="_blank"><span style="color: #ff0000;">Agata Katia Lo Coco</span></a>/S4C)</p>
<p>Contrada Erbe bianche, località Campobello di Mazara (Tp).</p>
<p>Thierno ci racconta la situazione dei lavoratori nei campi di ulivi, il fatto che pur lavorando, stenta a trovare un posto in affitto, che potrebbe pagare, insieme ai suoi amici lavoratori.</p>
<p>Siamo a marzo 2018, tra pochi giorni il Comune di Campobello procederà allo sgombero dell'area.</p>
<p>Nonostante le condizioni disumane del campo, i giovani lavoratori non hanno un'alternativa dignitosa dove alloggiare.</p>
<p>Agata Katia Lo Coco/S4C</p>
<p> <br /> <iframe src="https://player.vimeo.com/video/258291440" width="640" height="360" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p><a href="https://vimeo.com/258291440">Il campo degli invisibili - Invisible Camp</a> from <a href="https://vimeo.com/agatakatialococo">Agata Katia Lo Coco</a> on <a href="https://vimeo.com">Vimeo</a>.</p>
<p>Una produzione gratuita Associazione Poiè di Castelvetrano (Tp)</p>
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		<title>Oltre il Muro / Beyond the wall</title>
		<link>https://www.shoot4change.eu/oltre-il-muro-beyond-the-wall/</link>
		<comments>https://www.shoot4change.eu/oltre-il-muro-beyond-the-wall/#comments</comments>
		<pubDate>Tue, 25 Oct 2016 08:43:44 +0000</pubDate>
		<dc:creator><![CDATA[Antonio Amendola]]></dc:creator>
				<category><![CDATA[featured]]></category>
		<category><![CDATA[REPORTAGE]]></category>
		<category><![CDATA[stories]]></category>
		<category><![CDATA[Carcere femminile]]></category>
		<category><![CDATA[NeroLuce]]></category>
		<category><![CDATA[Rebibbia]]></category>
		<category><![CDATA[Roma]]></category>
		<category><![CDATA[S4C]]></category>

		<guid isPermaLink="false">http://www.shoot4change.eu/?p=14533</guid>
		<description><![CDATA[(a story of Adriana Miani) - english version below - Dopo varie difficoltà burocratiche è arrivato il giorno del mio..]]></description>
				<content:encoded><![CDATA[<div id="pl-14533"><div class="panel-grid" id="pg-14533-0" ><div class="panel-grid-cell" id="pgc-14533-0-0" ><div class="so-panel widget widget_black-studio-tinymce panel-first-child" id="panel-14533-0-0-0"><div class="textwidget"><p>(a story of Adriana Miani)</p>
<p><span style="color: #800000;">- english version below -</span></p>
<p>Dopo varie difficoltà burocratiche è arrivato il giorno del mio pass presso il carcere circondariale femminile di Rebibbia.</p>
<p>Superati i controlli, mi guardo intorno: tutto è pulito e ordinato. Tra gli alberi mi colpisce una palazzina e il vociare di bimbi, mi volto e vedo, nel giardino antistante la struttura, bambini e mamme che giocano: è il nido dove le detenute vivono con i loro bambini fino a quando non avranno espiato la pena.</p>
<p><img class="alignleft size-medium wp-image-14539" src="https://www.shoot4change.eu/wp-content/uploads/2016/10/adriana-miani_05-300x200.jpg" alt="adriana-miani_05" width="300" height="200" />Entro nella struttura principale, attraverso corridoi lunghissimi e incrocio detenute che incredibilmente mi salutano e sorridono. Suono ad un portone di ferro che viene azionato dalle guardie, mi presento e vengo autorizzata ad andare al “gabbiotto”, così si chiama il luogo dove le ragazze di cui vi parlerò passano la maggior parte della giornata. In questa stanza di 30 mq circa l’Associazione Gruppo Idee ha promosso un laboratorio sartoriale e lì trovo tante ragazze di varie nazionalità che convivono in questo ambiente. Realizzano borse, manufatti di vario genere ed abbigliamento con il brand NeroLuce. Sono ragazze che vanno dai 30 ai 50 anni hanno commesso reati di vario genere ed attendono la fine pena per ricominciare a vivere.</p>
<p>“E’ una parentesi”, “E’ una pausa” dicono.</p>
<p>Parlano, ridono, si arrabbiano, mangiano, lavorano è tutto il loro mondo, non amano stare in cella, preferiscono trascorrere il loro tempo qui per non pensare (frase ricorrente).</p>
<p>Chiedo a due di loro che cosa hanno fatto il primo giorno che hanno avuto il permesso di uscire: “mi sono seduta su una panchina in un parco ed ho telefonato alla mia mamma”, “Sono andata a vedere il mare”.</p>
<p>Azioni normali, ma per loro respirare aria di libertà crea grandi emozioni, come al rientro grande sofferenza.</p>
<p><img class="alignright size-medium wp-image-14542" src="https://www.shoot4change.eu/wp-content/uploads/2016/10/adriana-miani_08-300x200.jpg" alt="adriana-miani_08" width="300" height="200" />Allontanarsi nuovamente dagli affetti è di grande sconforto. Alcune di loro hanno figli grandi e piccoli, si vergognano, sono preoccupate per il loro futuro. Sono impegnate a trovare un modo per dimostrare che hanno sbagliato, ma hanno colto al volo la possibilità di riscattarsi, iniziare un nuovo percorso di vita.</p>
<p>Ho avuto la possibilità di condividere con loro attimi di gioia come:</p>
<p>Piangere nel ricevere la comunicazione di fine pena</p>
<p>Felicità nel ricevere l’autorizzazione a partorire fuori e poter tornare al proprio paese per espiare l’ultimo anno di detenzione ai domiciliari</p>
<p>Solidarietà e condivisione di ciò da parte delle altre che aspettano il loro turno che prima o poi giungerà.</p>
<p>Ho partecipato anche alla realizzazione di una sfilata di moda di abiti da sposa organizzata dall’Associazione. Che emozione!</p>
<p><img class="aligncenter size-full wp-image-14549" src="https://www.shoot4change.eu/wp-content/uploads/2016/10/adriana-miani_15.jpg" alt="adriana-miani_15" width="800" height="533" />Tutte volevano provare gli abiti, gli accessori, si sono fatte truccare e pettinare senza lamenti: “fammi una foto così truccata   e pettinata, così la mando al mio fidanzato” “fotografami con questa bella borsa, la mando alla mia famiglia”</p>
<p>Inizia la sfilata: non sono certo modelle, ma l’orgoglio di aver partecipato ad una giornata speciale è palpabile. In passerella sono fiere, belle, felici come se si fossero riappropriate della loro femminilità mai dimenticata, solo rimossa. Donne con la D maiuscola grazie a trucco, parrucco e tacchi. Le altre sedute lungo il parterre incitano, applaudono, urlano. Sensazioni indescrivibili.</p>
<p>Le mie protagoniste si chiamano Allegra, Deniz, Lucia, Nicoletta, Maria, Rita, Roxana, Veronica.</p>
<p>Le ritengo speciali perché con senso di responsabilità ammettono di aver sbagliato, ma con lucidità hanno deciso di rimettersi in gioco.</p>
<p>Infrangono così gli schemi che le vorrebbero senza prospettive.</p>
<p>Il loro viaggio è iniziato nel momento in cui hanno deciso di non vivere più nel buio, ma di ricucire la loro esistenza.</p>
<p>Questo lavoro è un omaggio alla loro voglia di riscatto.</p>
<p> </p>
<p>Adriana Miani /S4C</p>
<p> </p>
</div></div><div class="so-panel widget widget_black-studio-tinymce" id="panel-14533-0-0-1"><h3 class="widget-title">Galleria Fotografica</h3><div class="textwidget"></div></div><div class="so-panel widget widget_sow-slider" id="panel-14533-0-0-2"><div class="so-widget-sow-slider so-widget-sow-slider-base-abf3e628296a">
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</div></div><div class="so-panel widget widget_black-studio-tinymce panel-last-child" id="panel-14533-0-0-3"><h3 class="widget-title">Beyond the wall</h3><div class="textwidget"><p>(a story ofAdriana Miani)</p>
<p>"It's a parenthesis", "It's a break " they say.</p>
<p>Talk, laugh, get angry, eat, work is their whole world, do not like being in the cell, they prefer to spend their time here to not think (recurring phrase).</p>
<p><img class="alignleft size-medium wp-image-14537" src="https://www.shoot4change.eu/wp-content/uploads/2016/10/adriana-miani_03-300x200.jpg" alt="adriana-miani_03" width="300" height="200" />I ask two of them what they did on the first day they had the permission to leave: "I sat on a bench in a park and I called my mother", "I went to see the sea".</p>
<p>normal actions, but for them to breathe the air of freedom creates great emotions, like the great suffering return.</p>
<p>Move away again from the affections is of great distress. Some of them have large and young children, are ashamed, are worried about their future. They are committed to finding a way to prove that they were wrong, but they jumped at the chance to redeem himself, to start a new life path.</p>
<p>I had the opportunity to share with them moments of joy as:</p>
<p>Crying in receiving the communication end of their sentence</p>
<p><img class="alignright size-medium wp-image-14541" src="https://www.shoot4change.eu/wp-content/uploads/2016/10/adriana-miani_07-300x200.jpg" alt="adriana-miani_07" width="300" height="200" />Happiness in receiving permission to give birth out and be able to return to their country to atone for the final year of detention under house arrest</p>
<p>Solidarity and sharing what by the other waiting for their turn sooner or later will come.</p>
<p>I also participated in the creation of a fashion show of wedding dresses organized by the Association. What an emotion!</p>
<p>All they wanted to try on clothes, accessories, make up and comb it without complaint are made: "show me a photo so made up and coiffed, so I send to my boyfriend" "fotografami with this beautiful bag, I send to my family"</p>
<p>Start the parade: Models are not sure, but the pride of having participated in a special day is palpable. On the catwalk they are proud, beautiful, happy as if they had riappropriate of their femininity never forgotten, only removed. Women with a capital D, thanks to makeup, wigs and heels. The other sessions along the parterre incite, applaud, yell. Feelings indescribable.</p>
<p><img class="aligncenter size-full wp-image-14550" src="https://www.shoot4change.eu/wp-content/uploads/2016/10/adriana-miani_16.jpg" alt="adriana-miani_16" width="800" height="533" /></p>
<p>My protagonists are called Allegra, Deniz, Lucia, Nicoletta, Maria, Rita, Roxana, Veronica.</p>
<p>I feel special because responsibly admit you were wrong, but lucidly decided to get back into play.</p>
<p>Thus breaking the patterns that would no prospects.</p>
<p>Their journey began when they decided to no longer live in the darkness, but to mend their existence.</p>
<p>This work is a tribute to their desire for redemption.</p>
<p>Adriana Miani</p>
</div></div></div></div></div>]]></content:encoded>
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		<title>Il Mediterraneo è Antirazzista</title>
		<link>https://www.shoot4change.eu/il-mediterraneo-e-antirazzista/</link>
		<comments>https://www.shoot4change.eu/il-mediterraneo-e-antirazzista/#comments</comments>
		<pubDate>Sat, 18 Jun 2016 06:39:40 +0000</pubDate>
		<dc:creator><![CDATA[Redazione]]></dc:creator>
				<category><![CDATA[featured]]></category>
		<category><![CDATA[Mondiali Antirazzisti]]></category>
		<category><![CDATA[stories]]></category>
		<category><![CDATA[2016]]></category>
		<category><![CDATA[immigrazione]]></category>
		<category><![CDATA[integrazione]]></category>
		<category><![CDATA[Mediterraneo Antirazzista]]></category>
		<category><![CDATA[Palermo]]></category>
		<category><![CDATA[rifugiati]]></category>
		<category><![CDATA[S4C]]></category>
		<category><![CDATA[Shoot4change]]></category>
		<category><![CDATA[sport]]></category>

		<guid isPermaLink="false">http://www.shoot4change.eu/?p=14354</guid>
		<description><![CDATA[(italian intro below) Yesterday, during the Italy-Sweden game at Euro2016 Tournament, we received these two stories by Ornella Mazzola and Agata..]]></description>
				<content:encoded><![CDATA[<div id="pl-14354"><div class="panel-grid" id="pg-14354-0" ><div class="panel-grid-cell" id="pgc-14354-0-0" ><div class="so-panel widget widget_black-studio-tinymce panel-first-child" id="panel-14354-0-0-0"><div class="textwidget"><p><span style="color: #800000;"><strong>(italian intro below)</strong></span></p>
<p>Yesterday, during the Italy-Sweden game at Euro2016 Tournament, we received these two stories by Ornella Mazzola and Agata Katia Lo Coco of S4C Palermo in Sicily.</p>
<p>Two football stories from Palermo (from two neighborhoods with the highest grade of social problems in the city) within the "Antiracist Mediterranean Games" event.</p>
<p>We decided to publish them together: a color and black and white one. Two different styles sharing the same sensitivity in observing the surrounding reality.</p>
<p>Small, short  stories,  written and photographed on the fly by allowing yourself to get involved in the game atmosphere and inter racial integration.</p>
<p>Yesterday, while on TV   images of Italy-Sweden ran I imagined the whole Country intent to cheer our national Team. Instead, on the small computer screen  we saw these other sports images from dusty Ballarò. Sport was just an excuse to say that the Mediterranean Sea is not racist as somebody want us to believe. Maybe even the protagonists of these two stories last night, have supported Italy. Or maybe Sweden. It does not matter. It does not matter at all. The important thing is that now they feel safe and at home there.</p>
<p>S4C</p>
<p><a href="http://www.shoot4change.eu/wp-content/uploads/2016/06/combo-med-antirazz1.jpg"><img class="aligncenter  wp-image-14394" src="https://www.shoot4change.eu/wp-content/uploads/2016/06/combo-med-antirazz1-1024x687.jpg" alt="combo med antirazz" width="769" height="516" /></a></p>
<p><span style="color: #800000;">Ieri, durante la partita Italia-Svezia sono arrivate queste due storie da parte di Ornella Mazzola e Agata Katia Lo Coco di S4C Palermo.</span></p>
<p><span style="color: #800000;">Due storie di calcio a Ballarò e a Piazza Maggione all'interno della manifestazione Mediterraneo Antirazzista che abbiamo deciso di pubblicare insieme: una a colori e una in bianco e nero. Due cifre stilistiche apparentemente diverse ma accomunate dalla medesima sensibilità nell'osservare la realtà circostante.</span></p>
<p><span style="color: #800000;">Sono storie piccole, brevi, scritte e fotografate di getto, lasciandosi coinvolgere dalle atmosfere del gioco e dell'integrazione inter razziale. </span></p>
<p><span style="color: #800000;">Ieri, in tv scorrevano le immagini di Italia-Svezia; immaginavo tutta l'Italia intenta a tifare la nostra Nazionale. E sul piccolo schermo del computer vedevo invece queste altre immagini di sport a Palermo, che però era solo una scusa per dire che il Mediterraneo non è razzista come ci vogliono fare credere. Magari anche i protagonisti di queste due storie, ieri sera, hanno tifato Italia. O magari Svezia. Non importa. Non importa affatto. L'importante è che adesso si sentano a casa.</span></p>
<p><span style="color: #800000;">S4C</span></p>
</div></div><div class="so-panel widget widget_black-studio-tinymce" id="panel-14354-0-0-1"><h3 class="widget-title">Un polveroso calcio al razzismo</h3><div class="textwidget"><p><span style="color: #ff0000;">(testo e foto di Agata Katia Lo Coco/S4C Palermo)</span></p>
<p>Italia. Palermo, Piazza Magione. Mediterraneo antirazzista 2016.</p>
<p>E’ un pomeriggio caldo di fine maggio, come ce ne sono in Sicilia.</p>
<p>Adulti e bambini, palermitani o del Gambia, da poco approdati, non importa.<a href="http://www.shoot4change.eu/wp-content/uploads/2016/06/13.jpg"><img class="alignright size-medium wp-image-14364" src="https://www.shoot4change.eu/wp-content/uploads/2016/06/13-300x200.jpg" alt="13" width="300" height="200" /></a> Sono qua, a giocare contro l’odio e per la libertà di essere diversi.</p>
<p>Incontro gli operatori sociali impegnati in una Palermo, per nulla facile. Ci sono 2 campetti di calcio, uno con recinzione e terra battuta, l’altro no.</p>
<p>Gli spazi di Piazza Magione sono oggetto di attenzione della campagna “Sport Popolare In Spazio Pubblico”, per un’azione di riqualificazione dell’area, già dal 2013.</p>
<p>I giocatori scendono in campo, per dare “un calcio al razzismo”. Si confrontano, sudano...</p>
<p>E’ giocare insieme che conta. Il calcio come momento aggregativo sociale.</p>
<p>Le gambe dei ragazzi africani sono bianche di polvere, cipria di corse dietro al pallone, i ragazzi italiani sono neri di sole e sudore.</p>
<p>Un bambino del quartiere, Francesco diventa guida consapevole del significato della giornata.</p>
<p>Mi invita a seguirlo, mi dice quanto sia contento di giocare lì, anche gli altri giorni, insieme agli altri bambini, vicino ai grandi, in spazi che sono dei “fuori campo”.</p>
<p>Agata Katia Lo Coco/S4C Palermo</p>
</div></div><div class="so-panel widget widget_black-studio-tinymce" id="panel-14354-0-0-2"><h3 class="widget-title">Galleria fotografica di Agata Katia Lo Coco</h3><div class="textwidget"></div></div><div class="so-panel widget widget_sow-slider" id="panel-14354-0-0-3"><div class="so-widget-sow-slider so-widget-sow-slider-base-abf3e628296a">
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</div></div><div class="so-panel widget widget_black-studio-tinymce" id="panel-14354-0-0-4"><h3 class="widget-title">“Ehi! lascia perdere quello che stai facendo in questo momento e vieni a giocare anche tu”</h3><div class="textwidget"><p><span style="color: #ff0000;">(testo e foto di Ornella Mazzola/S4C)</span></p>
<p>Ho conosciuto Ebra nella piazzetta di Ballarò, nel cuore dell’Albergheria.</p>
<p>L’ho incontrato durante una delle tappe di “Mediterraneo Antirazzista”.</p>
<p>Era così alto che per provare a guardarlo negli occhi sono salita sul marciapiede, ma lui rispetto a me era ancora troppo alto.</p>
<p><a href="http://www.shoot4change.eu/wp-content/uploads/2016/06/mazzola2016_mediterraneoantiraz_014.jpg"><img class="alignleft size-medium wp-image-14385" src="https://www.shoot4change.eu/wp-content/uploads/2016/06/mazzola2016_mediterraneoantiraz_014-300x200.jpg" alt="Mazzola2016_MediterraneoAntiraz_014" width="300" height="200" /></a>Viene dal Gambia e il suo sogno è diventare un grande calciatore, un calciatore vero e qui a Palermo ha trovato la possibilità di allenarsi per far sì che questo accada.</p>
<p>Ebra me lo ha detto con gli occhi, prima ancora che me lo dicesse con un quasi percettibile accento palermitano.</p>
<p>Non me ne intendo molto di calcio ma, guardandolo palleggiare, ho pensato subito che questo ragazzo ha la stoffa dei grandi campioni.</p>
<p>Ebra sembra una gazzella e ha l’animo gentile.</p>
<p>Eppure quel giorno a Ballarò protagonista non è stato solo il calcio multietnico, ma l’intero quartiere Ballarò: bambini con denti mancanti, palloncini, signori dalle camicie hawaiane, musica ed echi di musica, venditori ambulanti di panini con la “meusa” (milza), poltrone e sofà.</p>
<p>Questo è il senso di Mediterraneo antirazzista, coinvolgere ogni singolo elemento che appartiene ad una comunità e dirgli: “Ehi! lascia perdere quello che stai facendo in questo momento e vieni a giocare anche tu”.</p>
<p><a href="http://www.shoot4change.eu/wp-content/uploads/2016/06/mazzola2016_mediterraneoantiraz_016.jpg"><img class="aligncenter  wp-image-14387" src="https://www.shoot4change.eu/wp-content/uploads/2016/06/mazzola2016_mediterraneoantiraz_016.jpg" alt="Mazzola2016_MediterraneoAntiraz_016" width="765" height="510" /></a></p>
<p>E così durante i calci di rigore un bambino si è trovato avvolto da una folla incontenibile che ha invaso il campo, senza che si capisse più chi tifava per chi</p>
<p>Le poltrone abbandonate sono diventate gli spalti</p>
<p>Le piccole principesse di Ballarò sono arrivate con il lucidalabbra rosa apposta per l’evento</p>
<p>Ebra ha volato sulle sue gambe lunghe chilometri</p>
<p>E tutti si sono sentiti parte di qualcosa, anche io</p>
</div></div><div class="so-panel widget widget_black-studio-tinymce" id="panel-14354-0-0-5"><h3 class="widget-title">Galleria fotografica di Ornella Mazzola</h3><div class="textwidget"></div></div><div class="so-panel widget widget_sow-slider panel-last-child" id="panel-14354-0-0-6"><div class="so-widget-sow-slider so-widget-sow-slider-base-abf3e628296a">
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			<wfw:commentRss>https://www.shoot4change.eu/il-mediterraneo-e-antirazzista/feed/</wfw:commentRss>
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		<title>Take Refuge</title>
		<link>https://www.shoot4change.eu/take-refuge/</link>
		<comments>https://www.shoot4change.eu/take-refuge/#comments</comments>
		<pubDate>Sat, 16 Apr 2016 09:28:09 +0000</pubDate>
		<dc:creator><![CDATA[Redazione]]></dc:creator>
				<category><![CDATA[stories]]></category>
		<category><![CDATA[Arkè]]></category>
		<category><![CDATA[centri accoglienza]]></category>
		<category><![CDATA[Collina]]></category>
		<category><![CDATA[confini]]></category>
		<category><![CDATA[Cozzile]]></category>
		<category><![CDATA[immigrati]]></category>
		<category><![CDATA[immigration]]></category>
		<category><![CDATA[immigrazione]]></category>
		<category><![CDATA[Ives]]></category>
		<category><![CDATA[Le Piastre]]></category>
		<category><![CDATA[Massa]]></category>
		<category><![CDATA[refugees]]></category>
		<category><![CDATA[reportage]]></category>
		<category><![CDATA[rifugiati]]></category>
		<category><![CDATA[S4C]]></category>

		<guid isPermaLink="false">http://www.shoot4change.eu/?p=14275</guid>
		<description><![CDATA[(english abstract) a story by Simone Margelli Each year thousands of refugees arrive in Italy. But once they get here:..]]></description>
				<content:encoded><![CDATA[<div id="pl-14275"><div class="panel-grid" id="pg-14275-0" ><div class="panel-grid-cell" id="pgc-14275-0-0" ><div class="so-panel widget widget_black-studio-tinymce panel-first-child" id="panel-14275-0-0-0"><div class="textwidget"><p>(english abstract)</p>
<p>a story by Simone Margelli</p>
<p>Each year thousands of refugees arrive in Italy. But once they get here: where do they go?<br />This report gets to the heart of reception centers, by spying and describing the lives of these men in search of hope.<br />Pakistan, Gambia, Nigeria, Ivory Coast, Italy.</p>
<p>Are young men/adults who live day by day waiting a positive answer to their asylum request. Running away from war, dictatorships and from all contradictions that characterise their countries.<br />The reportage is a way to give visibility to these people, a way to come out the delicate relationship between the public and the truths that need to get involved, even going beyond the prejudices and mutual distrust/mistrust.</p>
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</div></div><div class="so-panel widget widget_black-studio-tinymce" id="panel-14275-0-0-3"><h3 class="widget-title">Una volta arrivati, dove vanno?</h3><div class="textwidget"><p><span style="font-size: small;">(una storia di <a href="http://www.simonemargelli.it/" target="_blank">Simone Margelli</a>)</span></p>
<p><span style="font-size: small;">Ogni anno sbarcano migliaia di profughi in Italia. Ma una volta arrivati: dove vanno?<br />Questo reportage entra all'interno dei centri di accoglienza, spiando e raccontando questi uomini in cerca di speranza.<span class="text_exposed_show"><br />Pakistan, Gambia, Nigeria, Costa d'Avorio, Italia.</span></span></p>
<p><span style="font-size: small;"><span class="text_exposed_show"><a href="http://www.shoot4change.eu/wp-content/uploads/2016/04/sm_tr_002.jpg"><img class="aligncenter  wp-image-14279" src="https://www.shoot4change.eu/wp-content/uploads/2016/04/sm_tr_002.jpg" alt="SM_TR_002" width="575" height="384" /></a><br />Sono ragazzi/uomini che vivono le loro giornate nell'attesa di una risposta alla loro richiesta di asilo.<br />Fuggono dalla guerra, dalle dittature e dalle contraddizioni dei loro paesi di origine.<br />Il reportage fotografico è un modo per dare visibilità a queste persone, un modo per far uscire allo scoperto il delicato rapporto tra l'opinione pubblica e le verità che richiedono di mettersi in gioco, anche andando oltre i pregiudizi e le diffidenze reciproche.</span></span></p>
<p><span id="msgText_new_message_draft1460738020970_350" dir="ltr"><a href="http://www.shoot4change.eu/wp-content/uploads/2016/04/sm_tr_010.jpg"><img class="alignleft  wp-image-14287" src="https://www.shoot4change.eu/wp-content/uploads/2016/04/sm_tr_010.jpg" alt="SM_TR_010" width="216" height="324" /></a>I<span style="font-size: small;">l lavoro è stato realizzato tra il 2014 e il 2015 a seguito delle aperture dei primi centri di accoglienza. Sono state scattate nella montagna Pistoiese, precisamente a Le Piastre, Collina e una piccola parte a Massa e Cozzile.<br /></span></span></p>
<blockquote><p><span id="msgText_new_message_draft1460738020970_350" dir="ltr"><span style="font-size: small;">La scelta di fare il mio lavoro in questi luoghi sperduti nasce per mettere ancora più in risalto la vita di queste persone all'interno di ambienti completamente lontani dalle loro abitudini.</span></span></p>
</blockquote>
<p><span style="font-size: small;">Il progetto è stato sostenuto dall'<a href="https://www.facebook.com/Ives-Pistoia-1590049257932288/?fref=ts" target="_blank">Associazione IVES</a>, ed è stato realizzato nelle strutture gestite dal Consorzio Co&amp;So, Gruppo Incontro Cooperativa Sociale e Cooperativa Arkè</span></p>
<p><span style="font-size: small;"><span class="text_exposed_show">Take Refuge è diventato un libro edito da Settegiorni Editore, con introduzi0ne di Saverio Tommasi, attore, scrittore, blogger e freelancer italiano.</span></span></p>
<p><span style="font-size: small;"><span class="text_exposed_show">In questo momento sto svolgendo una campagna di crowdfunding sul sito eppela.com per sostenere <a href="https://www.eppela.com/it/projects/7861-take-refuge" target="_blank">"TAKE REFUGE"</a> </span></span></p>
<p>http://www.simonemargelli.it/</p>
<p><span style="font-size: small;"> </span></p>
</div></div><div class="so-panel widget widget_black-studio-tinymce" id="panel-14275-0-0-4"><h3 class="widget-title">GALLERIA FOTOGRAFICA</h3><div class="textwidget"></div></div><div class="so-panel widget widget_sow-slider panel-last-child" id="panel-14275-0-0-5"><div class="so-widget-sow-slider so-widget-sow-slider-base-abf3e628296a">
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