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	<title>Shoot 4 Change &#187; VIDEO</title>
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		<title>We stay at home. And you, too. You can still shoot 4 change. But at home&#8230;</title>
		<link>https://www.shoot4change.eu/we-stay-at-home-and-you-too-you-can-still-shoot-4-change-but-at-home/</link>
		<comments>https://www.shoot4change.eu/we-stay-at-home-and-you-too-you-can-still-shoot-4-change-but-at-home/#comments</comments>
		<pubDate>Fri, 27 Mar 2020 13:18:57 +0000</pubDate>
		<dc:creator><![CDATA[Antonio Amendola]]></dc:creator>
				<category><![CDATA[featured]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[stories]]></category>
		<category><![CDATA[VIDEO]]></category>
		<category><![CDATA[coronavirus]]></category>
		<category><![CDATA[Covid-19]]></category>
		<category><![CDATA[I stay at home]]></category>
		<category><![CDATA[istayathome]]></category>
		<category><![CDATA[outbreak]]></category>
		<category><![CDATA[pandemic]]></category>
		<category><![CDATA[Shoot4change]]></category>

		<guid isPermaLink="false">https://www.shoot4change.eu/?p=15326</guid>
		<description><![CDATA[We, at Shoot4Change, understand that unprecedented times require unprecedented measures. Does this mean for everybody to stay at home? So,..]]></description>
				<content:encoded><![CDATA[<div id="pl-15326"><div class="panel-grid" id="pg-15326-0" ><div class="panel-grid-cell" id="pgc-15326-0-0" ><div class="so-panel widget widget_black-studio-tinymce panel-first-child panel-last-child" id="panel-15326-0-0-0"><div class="textwidget"><p>We, at Shoot4Change, understand that unprecedented times require unprecedented measures.<br /> Does this mean for everybody to stay at home? So, be it.</p>
<p>We'll stay at home so that all first responders, doctors and paramedics can fight this Battle for us.</p>
<p>But even locked down, we can tell many stories. And we will.</p>
<p>Our thoughts now go also to the Journalists on the Frontline, bringing us the news of what happens out there, so that we can stay informed and safe.</p>
<p>We'll resume shooting 4 change very soon!</p>
<p> </p>
<p> </p>
<p><iframe src="https://player.vimeo.com/video/399653662" width="840" height="560" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p> </p>
<p>Per dei fotografi e' difficilissimo resistere alla tentazione di scendere in strada a raccontare quello che accade.</p>
<p>Ma il senso di responsabilità deve prevalere per consentire a quelli che questo virus lo combattono davvero di farlo piu' facilmente.</p>
<div class="text_exposed_show">
<p>Verra' il nostro momento di raccontare la ricostruzione dei tessuti sociali, della quotidianità, delle relazioni, dell'economia.</p>
<p>Ma ora continuiamo a fare il nostro dovere e restiamo a casa.</p>
<p>Inchinandoci, pero', ai giornalisti che in strada sono rimasti a raccontare la battaglia.</p>
</div>
</div></div></div></div></div>]]></content:encoded>
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		<item>
		<title>ILVARUM YAGA &#8211; 100 DISEGNATORI CONTRO LA STREGA ROSSA</title>
		<link>https://www.shoot4change.eu/ilvarum-yaga-100-disegnatori-contro-la-strega-rossa/</link>
		<comments>https://www.shoot4change.eu/ilvarum-yaga-100-disegnatori-contro-la-strega-rossa/#comments</comments>
		<pubDate>Thu, 31 Jan 2019 18:22:51 +0000</pubDate>
		<dc:creator><![CDATA[Redazione]]></dc:creator>
				<category><![CDATA[stories]]></category>
		<category><![CDATA[VIDEO]]></category>
		<category><![CDATA[Arcelor Mittal]]></category>
		<category><![CDATA[factory Indoor]]></category>
		<category><![CDATA[gazebo esagonale]]></category>
		<category><![CDATA[ILVA]]></category>
		<category><![CDATA[Taranto]]></category>

		<guid isPermaLink="false">https://www.shoot4change.eu/?p=15069</guid>
		<description><![CDATA[(di Alessandra Pischetola. Video di Michele Magini) ILVARUM YAGA - 100 DISEGNATORI CONTRO LA STREGA ROSSA è una mostra che..]]></description>
				<content:encoded><![CDATA[<div id="pl-15069"><div class="panel-grid" id="pg-15069-0" ><div class="panel-grid-cell" id="pgc-15069-0-0" ><div class="so-panel widget widget_black-studio-tinymce panel-first-child panel-last-child" id="panel-15069-0-0-0"><div class="textwidget"><p>(di Alessandra Pischetola. Video di Michele Magini)</p>
<p>ILVARUM YAGA - 100 DISEGNATORI CONTRO LA STREGA ROSSA è una mostra che raccoglie 107 tavole illustrate ed è dedicata ai bambini del quartiere tamburi di Taranto, il rione cittadino a ridosso dello stabilimento siderurgico più grande d’Europa, ex ILVA oggi Arcelor Mittal.</p>
<p>La mostra ha come protagonista Ilvarum Yaga, “la strega capace di trasformarsi in vento e polvere che si insinua nelle case degli uomini, si nasconde nei corpi dei bambini e lentamente si nutre dei loro pensieri, dei loro sogni, delle loro vite”.</p>
<p><a href="https://www.shoot4change.eu/wp-content/uploads/2019/01/sequenza-03.00_00_51_06.immagine008.jpg"><img class="alignleft  wp-image-15071" src="https://www.shoot4change.eu/wp-content/uploads/2019/01/sequenza-03.00_00_51_06.immagine008-300x169.jpg" alt="Sequenza 03.00_00_51_06.Immagine008" width="375" height="211" /></a>L’idea ha visto la sua realizzazione nel 2017 all’interno di un progetto più ampio che è il festival della letteratura a fumetti MANUSCRIPTA che annualmente, dal 2016, viene organizzato a Martina Franca, comune della Provincia di Taranto, a cura dell’associazione “TERRA TERRA” e dei “Presidi del libro Martina Franca”, coordinato dalla direzione artistica di Piero Angelini.<br />
L'iniziativa è nata leggendo un articolo medico scientifico sul rischio di effetti avversi sul quoziente intellettivo e sullo sviluppo neurocognitivo per i bambini del quartiere Tamburi di Taranto, esposti alle sostanze neurotossiche immesse nell’ ambiente dai vicini impianti industriali e sull’importanza della lettura ad alta voce come una vera e propria possibile “cura”.</p>
<p>Il progetto ha riunito più di 100 esponenti del mondo del fumetto e dell’illustrazione di tutta Italia. Accanto a professionisti tarantini e pugliesi, si trovano i lavori di Zerocalcare, Maicol&amp;Mirco, Giacomo Bevilacqua, AkaB e molti altri. Tutti insieme ma ognuno liberando la propria personale visione, si sono cimentati contro questo mostro cercando di sconfiggerlo con la potenza delle loro matite.</p>
<p><iframe src="https://player.vimeo.com/video/312538573" width="640" height="360" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe></p>
<p><a href="https://vimeo.com/312538573">ILVARUM YAGA – 100 DISEGNATORI CONTRO LA STREGA ROSSA</a> from <a href="https://vimeo.com/bmoviesweddings">Bmovies</a> on <a href="https://vimeo.com">Vimeo</a>.</p>
<p>Le tavole realizzate e donate dai fumettisti sono state, infatti, messe in vendita, per la durata dell’esposizione della mostra durante il festival Manuscripta 2017, ad un costo simbolico e con il ricavato sono stati acquistati dei libri che sono stati consegnati ai pediatri e alle biblioteche delle scuole rionali, con lo scopo di essere distribuiti ai bambini del quartiere.</p>
<p>Da ottobre 2017 la mostra ha iniziato a girare, richiesta da diversi comuni e città, ma non ha mai trovato il giusto interesse e la giusta collocazione per essere ospitata anche nella città di Taranto.</p>
<p>Dal 23 dicembre 2018 al 6 gennaio 2019, una parte di questa mostra, 51 tavole, è approdata per la prima volta nella città di Taranto all’interno del progetto “La Factory Indoor”.</p>
<p><a href="https://www.shoot4change.eu/wp-content/uploads/2019/01/sequenza-03.00_02_13_23.immagine004.jpg"><img class="alignright  wp-image-15072" src="https://www.shoot4change.eu/wp-content/uploads/2019/01/sequenza-03.00_02_13_23.immagine004-300x169.jpg" alt="Sequenza 03.00_02_13_23.Immagine004" width="442" height="249" /></a>“La Factory Indoor” è un’ iniziativa dell’associazione “Il gazebo esagonale” che, attraverso l’autorganizzazione e l’autoproduzione, si pone come proposito di abitare temporaneamente un locale commerciale in disuso del centro cittadino di Taranto al fine di allestire, utilizzando solo materiali di recupero, una esposizione di progetti di artigianato, design e illustrazione emergenti locali.<br />
Nel corso dei 28 giorni di vita di questo progetto, alla sua terza edizione durante il periodo natalizio, all’interno dei locali della Factory Indoor, vengono realizzate piccole attività e incontri con associazioni, professionisti e realtà attive sul territorio pugliese per attivare momenti di riflessione, confronto e mostrare, anche nella controversa città dei due mari, la possibilità di dare vita ad un’idea che stimoli la comunità ad una visione e ad uno sviluppo differenti del territorio.</p>
<p>L’incontro tra i curatori di “ILVARUM YAGA - 100 DISEGNATORI CONTRO LA STREGA ROSSA” e gli organizzatori de “La Factory Indoor” è stato un piccolo passo, un atto simbolico per permettere alla mostra che parla della città di Taranto di iniziare a farsi conoscere dalla comunità che rappresenta. L’augurio resta che, magari già nel corso del 2019, si riescano a creare le condizioni giuste per poter ospitare il progetto nella sua interezza, in spazi adeguati e accessibili che permettano di  godere pienamente dei contenuti e del valore artistico di questo progetto, per non smettere di tenere alta l’attenzione, di cercare vie di uscita e per non nascondere la polvere sotto il tappeto, soprattutto quella che impedisce di continuare a respirare.</p>
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		<title>Mom too soon</title>
		<link>https://www.shoot4change.eu/mom-too-soon-2/</link>
		<comments>https://www.shoot4change.eu/mom-too-soon-2/#comments</comments>
		<pubDate>Sat, 13 Oct 2018 19:02:32 +0000</pubDate>
		<dc:creator><![CDATA[Antonio Amendola]]></dc:creator>
				<category><![CDATA[featured]]></category>
		<category><![CDATA[REPORTAGE]]></category>
		<category><![CDATA[stories]]></category>
		<category><![CDATA[VIDEO]]></category>

		<guid isPermaLink="false">http://www.shoot4change.eu/?p=14971</guid>
		<description><![CDATA[An investigation of adolescent pregnancy in Ecuador  (a documentary of Max Pelagatti/S4C)   “Mom too Soon” is an investigation of..]]></description>
				<content:encoded><![CDATA[<div id="pl-14971"><div class="panel-grid" id="pg-14971-0" ><div class="panel-grid-cell" id="pgc-14971-0-0" ><div class="so-panel widget widget_black-studio-tinymce panel-first-child" id="panel-14971-0-0-0"><h3 class="widget-title">An investigation of adolescent pregnancy in Ecuador</h3><div class="textwidget"><div id="project-spacer"> </div>
<div class="project-module js-project-module--text module project-module-text text align-center">
<div class="main-text">
<div><span class="texteditor-inline-fontsize"><span class="texteditor-inline-fontfamily">(a documentary of <a href="https://www.maxpelagatti.com/about/" target="_blank"><span style="color: #ff0000;">Max Pelagatti</span></a>/S4C)</span></span></div>
<div> </div>
<div><span class="texteditor-inline-fontsize"><span class="texteditor-inline-fontfamily">“Mom too Soon” is an investigation of adolescent pregnancy in Ecuador that focuses on motherhood as well as sexual and reproductive rights. </span></span></div>
<div><span class="texteditor-inline-fontsize"><span class="texteditor-inline-fontfamily"> </span></span></div>
<div><span class="texteditor-inline-fontsize"><span class="texteditor-inline-fontfamily">The project aims to highlight how such an issue comes from a braid of violation of women’s rights, culture and religion. </span></span></div>
<div><span class="texteditor-inline-fontsize"><span class="texteditor-inline-fontfamily"> </span></span></div>
<div><span class="texteditor-inline-fontsize"><span class="texteditor-inline-fontfamily">The result of the investigation created the background context for a series of interviews. </span></span></div>
<div><span class="texteditor-inline-fontsize"><span class="texteditor-inline-fontfamily"> </span></span></div>
<div><span class="texteditor-inline-fontsize"><span class="texteditor-inline-fontfamily"><img class="alignleft size-medium wp-image-14973" src="https://www.shoot4change.eu/wp-content/uploads/2018/10/6d32ea70452723.5ba3bd63eaa76-300x185.jpg" alt="6d32ea70452723.5ba3bd63eaa76" width="300" height="185" />The project consists of black and white pictures taken on film and a video documentary containing interviews of young mothers, healthcare professionals and politicians.</span></span></div>
<div><span class="texteditor-inline-fontsize"><span class="texteditor-inline-fontfamily"> </span></span></div>
<div><span class="texteditor-inline-fontsize"><span class="texteditor-inline-fontfamily">"Mom too Soon" is a self-funded project, endorsed by Shoot4Change and in collaboration with Fundación Cristo de la Calle, Melting Pot Language, CEMOPLAF and Fundación un mundo unido. </span></span></div>
<div><span class="texteditor-inline-fontsize"><span class="texteditor-inline-fontfamily"> </span></span></div>
<div><span class="texteditor-inline-fontsize"><span class="texteditor-inline-fontfamily">It was filmed in Ecuador between November and December 2017 by Max Pelagatti, as part of a long term project on the issue.</span></span></div>
<div> </div>
</div>
<div>I've known long enough Max to know how close to his hearth this project his. He put all his resources and efforts in traveling across a difficult country like Ecuador, interviewing young mothers, NGOs and local politicians.</div>
<div> </div>
<div>It started his journey with just a bunch of film rolls and the intention of shooting his first documentary.</div>
</div>
<blockquote><div>In my opinion art, and more specifically photography, is the most effective way to reach a wide and inhomogeneous audience.
<p>I see art as a universal language that has the power to educate and break down prejudices. Art has survived through centuries and always had the ability to change one’s thoughts starting from the artist himself. </p>
<p>It may not create a “revolution,” but it is a slow and long process that I believe will lead to a change. (Max Pelagatti)</p>
</div>
</blockquote>
<div>As a member of S4C, Max will not stop here and will pursue to keep raising awareness on a social issue that is so much closer to Europe than you might think. Stay tuned for more. You'll be surprised...</div>
<div> </div>
<div>Great job, Max! Keep telling this story.</div>
<div> </div>
<div>Antonio Amendola</div>
<div> </div>
<div>PS The film is not short. I tell You. I know that the consumption pattern of our days would suggest a few minutes long video, but at S4C we firmly believe that an important story needs to be told accurately and with no rush. We trust our storytellers as a part of cultural resistance. We want to go back to a time of slow consumption of stories. They deserve it. You deserve it.</div>
<div> </div>
<div> </div>
</div></div><div class="so-panel widget widget_text" id="panel-14971-0-0-1">			<div class="textwidget"><iframe src="https://player.vimeo.com/video/290028572" width="640" height="360" frameborder="0" allowfullscreen></iframe></div>
		</div><div class="so-panel widget widget_black-studio-tinymce panel-last-child" id="panel-14971-0-0-2"><div class="textwidget"><p><img class="alignleft size-medium wp-image-14975" src="https://www.shoot4change.eu/wp-content/uploads/2018/10/f20e4731213927.5677c5556b8bd-300x225.jpg" alt="f20e4731213927.5677c5556b8bd" width="300" height="225" />Max Pelagatti is a photographer and photography instructor born in Tokyo in 1988 to an Italian father and Japanese mother, both of whom were opera singers. He spent his childhood between Italy and Japan; as a teenager, his family settled in Italy, his father’s homeland.</p>
<p>By nature curious and reserved, the camera was his preferred means of expression from a very early age.</p>
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		<item>
		<title>An amazing Team: S4C Barcelona</title>
		<link>https://www.shoot4change.eu/an-amazing-team-s4c-barcelona/</link>
		<comments>https://www.shoot4change.eu/an-amazing-team-s4c-barcelona/#comments</comments>
		<pubDate>Thu, 24 May 2018 06:49:24 +0000</pubDate>
		<dc:creator><![CDATA[Antonio Amendola]]></dc:creator>
				<category><![CDATA[featured]]></category>
		<category><![CDATA[REPORTAGE]]></category>
		<category><![CDATA[stories]]></category>
		<category><![CDATA[VIDEO]]></category>

		<guid isPermaLink="false">http://www.shoot4change.eu/?p=14938</guid>
		<description><![CDATA[See what a great S4C Team looks like. This video is a tribute to S4C Barcelona and - through them..]]></description>
				<content:encoded><![CDATA[<div id="pl-14938"><div class="panel-grid" id="pg-14938-0" ><div class="panel-grid-cell" id="pgc-14938-0-0" ><div class="so-panel widget widget_black-studio-tinymce panel-first-child panel-last-child" id="panel-14938-0-0-0"><div class="textwidget"><p>See what a great S4C Team looks like.</p>
<p>This video is a tribute to S4C Barcelona and - through them - to all S4C volunteers around the World.</p>
<p>A tribute of S4C Barcelona to those  who look for hidden stories that need to be told and to those who did it with us in the Past.</p>
<p>Join the Barcelona Team if you are in the area or join the many other Teams around the World!</p>
<p>Write Davide Camesasca (d.camesasca@shoot4change.eu) if you are in Spain</p>
<p>or myself if you want to know how to join other Teams or set up your own (a.amendola@shoot4change.eu).</p>
<p>Wherever you are, there are countless stories that wait to be told.</p>
<p>Antonio Amendola</p>
<p>&nbsp;<br />
<iframe width="660" height="415" src="https://www.youtube.com/embed/f4v48GdyWkQ" frameborder="0" allow="autoplay; encrypted-media" allowfullscreen></iframe></p>
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		</item>
		<item>
		<title>Il campo degli invisibili</title>
		<link>https://www.shoot4change.eu/il-campo-degli-invisibili/</link>
		<comments>https://www.shoot4change.eu/il-campo-degli-invisibili/#comments</comments>
		<pubDate>Sun, 04 Mar 2018 13:15:33 +0000</pubDate>
		<dc:creator><![CDATA[Antonio Amendola]]></dc:creator>
				<category><![CDATA[communitys4c]]></category>
		<category><![CDATA[featured]]></category>
		<category><![CDATA[REPORTAGE]]></category>
		<category><![CDATA[stories]]></category>
		<category><![CDATA[VIDEO]]></category>
		<category><![CDATA[immigrati]]></category>
		<category><![CDATA[integrazione]]></category>
		<category><![CDATA[intolleranza]]></category>
		<category><![CDATA[Invisibili]]></category>
		<category><![CDATA[razzismo]]></category>
		<category><![CDATA[rifugiati]]></category>
		<category><![CDATA[S4C]]></category>
		<category><![CDATA[thierno]]></category>

		<guid isPermaLink="false">http://www.shoot4change.eu/?p=14818</guid>
		<description><![CDATA[(di Agata Katia Lo Coco/S4C) Contrada Erbe bianche, località Campobello di Mazara (Tp). Thierno ci racconta la situazione dei lavoratori..]]></description>
				<content:encoded><![CDATA[<div id="pl-14818"><div class="panel-grid" id="pg-14818-0" ><div class="panel-grid-cell" id="pgc-14818-0-0" ><div class="so-panel widget widget_black-studio-tinymce panel-first-child panel-last-child" id="panel-14818-0-0-0"><div class="textwidget"><p>(di <a href="http://www.agatakatialococo.com" target="_blank"><span style="color: #ff0000;">Agata Katia Lo Coco</span></a>/S4C)</p>
<p>Contrada Erbe bianche, località Campobello di Mazara (Tp).</p>
<p>Thierno ci racconta la situazione dei lavoratori nei campi di ulivi, il fatto che pur lavorando, stenta a trovare un posto in affitto, che potrebbe pagare, insieme ai suoi amici lavoratori.</p>
<p>Siamo a marzo 2018, tra pochi giorni il Comune di Campobello procederà allo sgombero dell'area.</p>
<p>Nonostante le condizioni disumane del campo, i giovani lavoratori non hanno un'alternativa dignitosa dove alloggiare.</p>
<p>Agata Katia Lo Coco/S4C</p>
<p> <br /> <iframe src="https://player.vimeo.com/video/258291440" width="640" height="360" frameborder="0" allowfullscreen="allowfullscreen"></iframe></p>
<p><a href="https://vimeo.com/258291440">Il campo degli invisibili - Invisible Camp</a> from <a href="https://vimeo.com/agatakatialococo">Agata Katia Lo Coco</a> on <a href="https://vimeo.com">Vimeo</a>.</p>
<p>Una produzione gratuita Associazione Poiè di Castelvetrano (Tp)</p>
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		<item>
		<title>The Sleeping Land</title>
		<link>https://www.shoot4change.eu/the-sleeping-land/</link>
		<comments>https://www.shoot4change.eu/the-sleeping-land/#comments</comments>
		<pubDate>Tue, 24 Oct 2017 17:35:54 +0000</pubDate>
		<dc:creator><![CDATA[Antonio Amendola]]></dc:creator>
				<category><![CDATA[featured]]></category>
		<category><![CDATA[REPORTAGE]]></category>
		<category><![CDATA[s4cworld]]></category>
		<category><![CDATA[spain]]></category>
		<category><![CDATA[stories]]></category>
		<category><![CDATA[VIDEO]]></category>
		<category><![CDATA[Alfons Rodriguez]]></category>
		<category><![CDATA[Jose Bautista]]></category>
		<category><![CDATA[s4c spain]]></category>
		<category><![CDATA[the sleeping land]]></category>

		<guid isPermaLink="false">http://www.shoot4change.eu/?p=14717</guid>
		<description><![CDATA[We are extremely happy to present the forthcoming latest work of Alfons Rodriguez and Jose Bautista. As you know, Alfons..]]></description>
				<content:encoded><![CDATA[<p>We are extremely happy to present the forthcoming latest work of Alfons Rodriguez and Jose Bautista.</p>
<div id="attachment_14718" style="width: 310px" class="wp-caption alignleft"><img class="wp-image-14718 size-medium" src="https://www.shoot4change.eu/wp-content/uploads/2017/10/schermata-2017-10-24-alle-19.10.13-300x213.jpg" alt="Schermata 2017-10-24 alle 19.10.13" width="300" height="213" /><p class="wp-caption-text">Alfons and Jose</p></div>
<p>As you know, Alfons (one of the founding fathers of Shoot4Change and currently leading S4C Spain Team) is one of the most respected and highly appreciated social documentary photographers in Spain and worldwide.</p>
<p>José Bautista is a Multimedia Producer &amp; Film Editor, Filmmaker, Composer and Sound Designer. He’s also the founder of KanseiSounds and Altamar Films co-founder.</p>
<p>The Sleeping Land is an intimate voyage, a ode to daily routine and an evocative litany and to clarify our perception of unknown everyday 28 Siberian people and their issues.<br />
<iframe src="https://player.vimeo.com/video/239631886?color=e89235&amp;title=0&amp;byline=0&amp;portrait=0" width="640" height="360" frameborder="0" allowfullscreen="allowfullscreen"></iframe><br />
<span style="color: #800000;"><strong><a href="http://thesleepingland.com" target="_blank">The Project</a></strong></span></p>
<p>One hundred years have passed since the Czarist regime was overthrown by the Russian Revolution of 1917. Yet one hundred and thirteen years have gone by since the Trans-Siberian railway line was inaugurated: almost 10.000 km from Moscow down to eastern Asian Vladivostok bordering the Sea of Japan. In this enormous geographic and human context overlapped by current Russian social fabric, the authors of this independent documentary film lead us through simple, melancholic, mundane or dramatic stories using the train as a metaphor. In essence: the journey through Life itself.</p>
<p>An intimate, epic voyage in which the two documentalists do not intend to thoroughly map modern day Russian society but to paint a much more subtle landscape of personal experiences drawn from the people they encounter daily. These are the protagonists of this incredible adventure describing fragments of their past and present lives and guessing at what the future may hold for them. They speak directly to the camera, reaching out to the spectator, sharing their joys and sorrows. All this takes place in the Russian taiga during a harsh and bitter Siberian winter. Nothing else except the forests and the occasional villages and cities in the middle of nowhere.</p>
<p>The Sleeping Land (La Tierra Dormida) is an ode to daily routine, an evocative litany and at the same time a desperate attempt to update and clarify our perception of unknown everyday Siberian issues as well as those of these far and remote eastern regions. This land has always been part of the authors’ travelling imagery for as long as they can remember. A sleeping frozen land waiting for the icy sting to pass, breaking the glacial silence that accompanies it…</p>
<p>&nbsp;</p>
<p>Enjoy the trailer!</p>
<p>&nbsp;</p>
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		<title>Barcelona, The Other Side &#8211; the City&#8217;s B Side</title>
		<link>https://www.shoot4change.eu/barcelona-the-other-side-the-citys-b-side/</link>
		<comments>https://www.shoot4change.eu/barcelona-the-other-side-the-citys-b-side/#comments</comments>
		<pubDate>Fri, 14 Oct 2016 05:12:36 +0000</pubDate>
		<dc:creator><![CDATA[Antonio Amendola]]></dc:creator>
				<category><![CDATA[collettive]]></category>
		<category><![CDATA[featured]]></category>
		<category><![CDATA[spain]]></category>
		<category><![CDATA[stories]]></category>
		<category><![CDATA[VIDEO]]></category>
		<category><![CDATA[Barcelona]]></category>
		<category><![CDATA[economic crisis]]></category>
		<category><![CDATA[integration]]></category>
		<category><![CDATA[social issues]]></category>
		<category><![CDATA[Team S4C Spain]]></category>

		<guid isPermaLink="false">http://www.shoot4change.eu/?p=14480</guid>
		<description><![CDATA[The City&#8217;s B-Side[catalan version below] "Barcelona, The Other Side" is a collective work always in progress - of Team Shoot4Change Barcelona. This..]]></description>
				<content:encoded><![CDATA[<div id="pl-14480"><div class="panel-grid" id="pg-14480-0" ><div class="panel-grid-cell" id="pgc-14480-0-0" ><div class="so-panel widget widget_black-studio-tinymce panel-first-child" id="panel-14480-0-0-0"><h3 class="widget-title">The City&#8217;s B-Side</h3><div class="textwidget"><p>[catalan version below]</p>
<p>"Barcelona, The Other Side" is a collective work always in progress - of Team Shoot4Change Barcelona. This  multimedia, then, is just one example of this work.</p>
<blockquote><p>Barcelona is one of the most important tourist destinations in the world. Each year, crowds come to visit the Sagrada Familia, Gaudi's building, Picasso Museum, Camp Nou ... ramble down the Rambla, buy on Passeig de Gràcia, spend days sunbathing on the beaches and in the evening at any of the 10,000 bars and restaurants of the city. It is, in the words of the writer Eduardo Mendoza, a city of wonders.<br />But there is another side of Barcelona, dark, hidden to tourists.<br />It's time to visiting the other side of Barcelona. (Stephen Burgen/S4C Spain)</p>
</blockquote>
<div>S4C Photographers:</div>
<div><a href="http://www.evaparey.com/web/" target="_blank">Eva Parey</a></div>
<div><a href="http://mingovenero.com/" target="_blank">Mingo Venero</a></div>
<div><a href="http://www.davidecamesasca.com/" target="_blank">Davide Camesasca</a></div>
<div><a href="http://www.marcoansaloni.com/" target="_blank">Marco Ansaloni</a></div>
<div><a href="http://www.joanalvado.com/main" target="_blank">Joan Alvado</a></div>
<div><a href="http://www.xavipiera.com/" target="_blank">Xavi Piera</a></div>
<p>Voice over: <a href="http://www.barcelonavoices.org/sdavison" target="_blank">Sarah Davison</a></p>
<p>Texts: Stephen Burgen, Elena Fernández, Eva Parey, Mingo Venero, Marco Ansaloni, Joan Alvado, Xavi Piera i David Suñol</p>
<p>Soundtrack is licensed under Creative Commons (<a href="http://freemusicarchive.org/" target="_blank">www.freemusicarchive.org</a>): Kai Engel, Dave Depper, Mascaras, Podington Bear</p>
<p>Video screen shots, timelapses and video editing: David Suñol</p>
<div> </div>
</div></div><div class="so-panel widget widget_black-studio-tinymce" id="panel-14480-0-0-1"><div class="textwidget"><p><iframe src="https://player.vimeo.com/video/187142709" width="960" height="540" frameborder="0" title="BARCELONA, THE OTHER SIDE." webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe></p>
</div></div><div class="so-panel widget widget_black-studio-tinymce panel-last-child" id="panel-14480-0-0-2"><h3 class="widget-title">La cara B de la ciutat</h3><div class="textwidget"><p>“Barcelona, The Other Side” és un treball coral, sempre en procés, de l’equip de <a href="http://www.shoot4change.eu/" target="_blank">Shoot4Change</a> Barcelona. El multimèdia, a continuació, és només una mostra d’aquest treball.</p>
<p> <br /><em>“Barcelona és una de les destinacions turístiques més importants del món. Cada any, multituds venen a visitar la Sagrada Família, els edificis de Gaudí, el museu Picasso, el Camp Nou… Passegen Rambla avall , compren a Passeig de Gràcia, passen els dies prenent el sol a les platges i  els vespres a qualsevol dels 10.000 bars i restaurants de la ciutat. És, en paraules de l’escriptor Eduardo Mendoza, una ciutat de meravelles.</em><br /><em>Però hi ha una altra cara de Barcelona, més fosca, amagada als turistes.</em><br /><em>És moment de visitar aquesta altra cara de Barcelona.”</em><br />(Traduït d’un text original de <a href="https://www.theguardian.com/profile/stephen-burgen" target="_blank">Stephen Burgen</a> en anglès)</p>
<div>Fotografia:</div>
<div><a href="http://www.evaparey.com/web/" target="_blank">Eva Parey</a></div>
<div><a href="http://mingovenero.com/" target="_blank">Mingo Venero</a></div>
<div><a href="http://www.davidecamesasca.com/" target="_blank">Davide Camesasca</a></div>
<div><a href="http://www.marcoansaloni.com/" target="_blank">Marco Ansaloni</a></div>
<div><a href="http://www.joanalvado.com/main" target="_blank">Joan Alvado</a></div>
<div><a href="http://www.xavipiera.com/" target="_blank">Xavi Piera</a></div>
<p>Veu en off: <a href="http://www.barcelonavoices.org/sdavison" target="_blank">Sarah Davison</a></p>
<p>Texts: Stephen Burgen, Elena Fernández, Eva Parey, Mingo Venero, Marco Ansaloni, Joan Alvado, Xavi Piera i David Suñol</p>
<p>Tota la música sota llicència Creative Commons (<a href="http://freemusicarchive.org/" target="_blank">www.freemusicarchive.org</a>):</p>
<div>Kai Engel</div>
<div>Dave Depper</div>
<div>Mascaras</div>
<div>Podington Bear</div>
<p>Imatges de vídeo i timelapses, edició de vídeo i so: David Suñol</p>
<p><iframe src="https://player.vimeo.com/video/187142709" width="960" height="540" frameborder="0" title="BARCELONA, THE OTHER SIDE." webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe></p>
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		<title>Our God is a Surfer (un nuovo capitolo)</title>
		<link>https://www.shoot4change.eu/our-god-is-a-surfer-un-nuovo-capitolo/</link>
		<comments>https://www.shoot4change.eu/our-god-is-a-surfer-un-nuovo-capitolo/#comments</comments>
		<pubDate>Tue, 09 Aug 2016 07:39:35 +0000</pubDate>
		<dc:creator><![CDATA[Antonio Amendola]]></dc:creator>
				<category><![CDATA[communitys4c]]></category>
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		<guid isPermaLink="false">http://www.shoot4change.eu/?p=14430</guid>
		<description><![CDATA[Perché nel mare ci sono solo fratelli e sorelleUna nuova anticipazione del documentario di Danilo Dom Calogiuri (S4C Lecce) vogliamo provare..]]></description>
				<content:encoded><![CDATA[<div id="pl-14430"><div class="panel-grid" id="pg-14430-0" ><div class="panel-grid-cell" id="pgc-14430-0-0" ><div class="so-panel widget widget_black-studio-tinymce panel-first-child panel-last-child" id="panel-14430-0-0-0"><h3 class="widget-title">Perché nel mare ci sono solo fratelli e sorelle</h3><div class="textwidget"><p>Una nuova anticipazione del documentario di Danilo Dom Calogiuri (S4C Lecce) vogliamo provare a raccontare anche un'altra realtà in Medio Oriente, mostrare e dimostrare che una speranza e un'alternativa ad una vita piena diconflitti, c'è.</p>
<p>E quest'alternativa viene dal mare! </p>
<p>L’idea di questo progetto nasce alla conclusione di un suo  lungo viaggio attraverso il medioriente.</p>
<p>Dopo aver attraversato la Syria, gia devastata dalla guerra, si è fermato in Israele e visitato la Cisgiordania, qui ha maturato la decisione di non voler raccontare più i conflitti attraverso classiche storie di morte e sofferenza, ma farlo attraverso storie alternative, di speranza e vita comune, quindi attraverso lo sport.</p>
<p>Il documentario è autoprodotto e la velocità dell’uscita delle varie puntate dipende molto da chi crede nel progetto e decide di continuare o cominciare a supportarlo.</p>
<p> </p>
<p> </p>
<p><iframe width="960" height="540" src="https://www.youtube.com/embed/EyudQEQTpiA?feature=oembed" frameborder="0" allowfullscreen></iframe></p>
<p>A Gaza e Israele il tempo è fermo da decenni. La quotidianità dell'individuo è ostaggio dei conflitti che giorno dopo giorno violentano queste terre.</p>
<p>Eppure anche in questi luoghi sfregiati da Dio ci sono storie da raccontare. Storie scritte nelle scie lasciate da tavole resinate, che parlano con l'accento della risacca.</p>
<p>Ragazzi e ragazze sulle spiagge si spogliano delle fedi polverose che gravano sulle loro spalle per abbracciare una tavola e unico credo comune, più semplice, libero, primordiale, che li unisce nelle onde. </p>
<p>La legge del surf.</p>
<p>Conflitti, morte, violenza, oppressione si infrangono contro le onde perdendo immediatamente consistenza, diventando un eco lontano.</p>
<p>Perché fra le onde non c'è Dio, non c'è religione, politica, estrazione sociale. C'è solo il “flow”.</p>
<p>Perché nel mare ci sono solo fratelli e sorelle.</p>
<p> </p>
<p><strong>Il Progetto</strong></p>
<p>Nella prossima fase Danilo Dom Calogiuri vuole ripercorrere le orme di Dorian «Doc» Paskowitz, (3 Marzo, 1921 – 10 Novembre, 2014) Ebreo Californiano, guru per i giovani surfisti Gazawii e per tutti quelli che credono e ripongono anche una piccola speranza in questa cultura.</p>
<p>"Il vento della costa è più forte del vento dell'Islam. A farlo soffiare per il verso giusto fu un tosto californiano di 89 anni: Dorian «Doc» Paskowitz, ebreo, una vita sulle onde del Pacifico, pioniere del surf nell'Israele del 1956 («fui il primo, sulla Frishman Beach di Tel Aviv») e profeta a Gaza nel 2007.</p>
<p><div id="attachment_14429" style="width: 466px" class="wp-caption alignleft"><img class="wp-image-14429" src="https://www.shoot4change.eu/wp-content/uploads/2016/08/image1-300x200.jpg" alt="image" width="456" height="304" /><p class="wp-caption-text">ph: Danilo Dom Calogiuri</p></div>
<p>Qui cavalcavano le onde i coloni israeliani, finché non se ne dovettero andare. I palestinesi, niente: «Un giorno ho visto una foto sul Los Angeles Times - racconta Doc - c'erano due ragazzi con un surf mezzo scassato. Ho deciso che si doveva fare qualcosa».</p>
<p>Doc attraversò il mondo e una mattina si presentò al valico di Erez con quindici tavole nuove di zecca.</p>
<p>I soldati israeliani erano basiti: «Dissi: non vorrete fare un torto a un vecchio ebreo che vuole insegnare il surf? Mi fecero passare»".</p>
<p>(da Il Corriere della Sera 2010)</p>
<p>Raccontare le storie, attraverso interviste, di ragazzi come Ahmed, Khaled del “GAZA SURF CLUB”, o Guy artista e surfista Israeliano che grazie al surf riescono ad evadere dalla realtà cruda che tutti conosciamo.</p>
<p>I vari video e reportage fotografici, sono tutti tasselli che compongono il documentario visionabili attraverso i social sulla pagina fb: https://www.facebook.com/ourgodisasurfer/?fref=ts o attraverso l’Hastag #OurGodIsASurfer o ancora sul blog www.whiroo.it</p>
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		<title>SPY &#8211; Safe Place for Youth</title>
		<link>https://www.shoot4change.eu/spy-safe-place-for-young/</link>
		<comments>https://www.shoot4change.eu/spy-safe-place-for-young/#comments</comments>
		<pubDate>Tue, 25 Aug 2015 16:50:28 +0000</pubDate>
		<dc:creator><![CDATA[Andrea Ranalli]]></dc:creator>
				<category><![CDATA[featured]]></category>
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		<guid isPermaLink="false">http://www.shoot4change.eu/?p=13206</guid>
		<description><![CDATA[1 About 13,000 people on public assistance tumble into homelessness every month in Los Angeles County, according to a new..]]></description>
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<p><strong>About 13,000 people on public assistance tumble into homelessness every month in Los Angeles County, according to a new study that experts say provides the clearest picture yet of extreme poverty in the region.</strong></p>
<p><strong>California</strong> was one of the hardest hit states in the country during the economic recession, suffering high unemployment and high job losses. There is a lag in rebound and the working poor and low-income individuals have been hit particularly hard, with the trifecta of unemployment, stagnant wages and a lack of affordable housing. According to the California Housing Partnership Report, April 2015 – California’s lowest-income households spend 2/3 of their income on housing, leaving little money for food, healthcare, transportation and other needs and 1.5 million low-income households -- half of them in Los Angeles and Orange counties and the Inland Empire -- do not have access to housing they can afford.</p>
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<p><strong>Youth homelessness has been on the rise in the US for the past several decades</strong>, yet there is a shortage of service providers catering specifically to <br />homeless youth. Most youth become homeless as a result of aging out of the foster care system, being forced out of their home by their parent/guardian, or fleeing to escape abuse. Homeless youth face a number of dangers on the streets, as well as obstacles in accessing services not experienced by adult homeless populations. Their age makes it difficult for them to earn money legally, causing many to exchanging sex for food, clothing, and shelter. Homeless youths’ desire to blend in with other youth, combined with their fear of being preyed upon by adult homeless, keeps them from accessing traditional adult homeless services. This creates a need for youth specific services.</p>
<p><strong>Safe Place for Youth is a drop in center in Venice</strong>, its mission is to inspire, nurture, and empower the resilient human spirit of homeless youth by providing immediate and lasting solutions, one young person at a time. The program priorities low barriers for entry, harm-reduction, a trauma-informed approach, and the provision of a safe, supportive environment. </p>
<p>At SPY they work with youth to transition off the streets and into stable housing through three core areas of service: Drop-In Center, Street Outreach, and Case Management. Working with each individual youth to assist them to build resiliency, a stronger sense of self, and take back control over their daily lives, while maintaining awareness and respect for basic human rights. SPY incorporates best practice models that include a harm-reduction and trauma informed approach with low barriers to entry.</p>
<p>Here are some of the stories we were able to collect during a two day visit to the center:</p>
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</div></div><div class="so-panel widget widget_black-studio-tinymce panel-last-child" id="panel-13206-0-0-3"><div class="textwidget"><p><a href="http://safeplaceforyouth.org/" target="_blank">http://safeplaceforyouth.org/</a></p>
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		<title>CESMACH &#8211; Coffee Farming in Chiapas</title>
		<link>https://www.shoot4change.eu/cesmach-coffee-farming-in-chiapas/</link>
		<comments>https://www.shoot4change.eu/cesmach-coffee-farming-in-chiapas/#comments</comments>
		<pubDate>Thu, 23 Jul 2015 05:50:48 +0000</pubDate>
		<dc:creator><![CDATA[Andrea Ranalli]]></dc:creator>
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		<guid isPermaLink="false">http://www.shoot4change.eu/?p=13092</guid>
		<description><![CDATA[1 In Mexico, the small-scale producer of coffee tied to traditional and organic farming, are fighting a battle against two..]]></description>
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</div></div><div class="so-panel widget widget_black-studio-tinymce" id="panel-13092-0-0-1"><div class="textwidget"><p>In <strong>Mexico</strong>, the small-scale producer of coffee tied to traditional and organic farming, are fighting a battle against two large multinational companies: the Swiss Nestlé, a global leader in the food industry and Agroindustrias Unidas de México (AMSA), which controls about 50% of exports of the country.</p>
<p><strong>Nestlé</strong> has acquired a patent on a genetically improved plant that facilitates the solubility of the coffee powder. Thanks to this license, the company will not only expand its control over the coffee producers, but will also increase the risk of genetic contamination on the organic plantations, of which Mexico is the first manufacturer in the world. <strong>The granted patent poses a serious threat to the economy of more than 480,000 farming families and about 500 rural and indigenous organizations that are depending on the coffee.</strong></p>
<p><a href="http://www.shoot4change.eu/wp-content/uploads/2015/07/009_s4coffee.jpg"><img class="alignleft wp-image-13101 size-medium" src="https://www.shoot4change.eu/wp-content/uploads/2015/07/009_s4coffee-200x300.jpg" alt="" width="200" height="300" /></a>“The improved seeds will not bring any benefit because the quality of the product gets inferior and it has to be sold at lower prices. The coffee can no longer be exported, it will be only for domestic consumption. The reason why I am against this system is because introducing chemicals does not preserve the territory”. So says <strong>Ramiro Rodriguez Munoz,</strong> a small producer of<strong>Chiapas</strong> and one of the <strong>CESMACH</strong> members.</p>
<p>Campesinos Ecológicos de la Sierra Madre de Chiapas is a cooperative operating in the area since 1994.<br /> “For 20 years now we have been cooperating with regional producers in order to let them self-manage their own activities” says Octavio Carbajal, coordinator of the organization. “We try to increase the productive side through marketing strategies which primarily take into consideration individual’s health. We give work to the poorest people, we educate them, we try to make them realizing the effective value of their product and also we guarantee a fair profit”.</p>
<p>CESMACH puts together 491 affiliates in 32 different rural communities of Chiapas, which means lives of nearly 500 families depending on their work.</p>
<div class="captionpix-outer "> The farmers, facing lots of difficulties, carry forward organic farming, abiding to a strict set of rules meant to protect the fragile environment of the biosphere.<br /> “The current situation grew worse due to several factors related to <strong>Roya, a fungus that causes the death of plants</strong>, which has brought the coffee production down by 25%” continues Octavio Carbajal, “another relevant factor is that we are producing coffee in an overgrazed area. Competition from other industries does not help. Competing with large multinational companies is very hard, we are small-scale producers while they have both political knowledge and endless financial resources”.<br /> In agreement with the Mexican government and AMSA, Nestlé has invested over the past five years 600 million dollars in Mexico, where several areas intended use is coffee production: e.g. Veracruz, the mountains of the state of Oaxaca and Chiapas, where the altitudes and a mild climate provide ideal conditions for the coffee production.<br /> The cultivation of coffee in Chiapas secures the livelihoods of many Guatemalan families. The farm hands and pickers arrive on foot from neighbouring Guatemala during the harvest period.<br /> Alfredo Ramirez Lopez, whose task is pruning and picking the coffee, says: “I’m from Guatemala, it is a short trip, it takes about 7 hours by car. I am a seasonal worker. The value of 70 kilos of coffee is 55 pesos for a standard sack. We are paid on a piecework basis. The work lasts from 6 to 8 weeks. I earn an average amount of 3000 pesos 500 of which are needed to cover travelling and eating expenses; but it always depends on how the harvest goes. This year the land lords are losing many plants because of the Roya therefore it is not a good year”.</div>
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<p><strong>Caused by the fungus Hemileia vastatrix, appeared in Mexico about 3 years ago, the Roya, rust, turns the leaves yellow and makes them unable to complete the photosynthesis process. The coffee that is produced from infected plants has a sour taste and no body.</strong></p>
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<p>The most affected countries are Colombia, Costa Rica, El Salvador, Guatemala, Nicaragua and Mexico, where the Roya spreads rapidly, also as a consequence of heavy rainfalls that carry the fungus from one plantation to the other.<br /> These days farmers are trying to restrain diffusion of Roya through application of fungicides during the wet seasons. In some areas, the plantations have been moved to higher levels, up to 1,800 km, where it is very difficult for the fungus to reproduce itself.<br /> As <strong>Naphtali Guillén López</strong>, president of Cesmach, explains “we haven’t found yet effective remedies against Roya. We have farm premiums projects through which the Government provides farmers the money needed to offset losses. Thanks to these funds we had the opportunity to give additional benefits to our members including improvements to health care, education and nutrition levels. We have an internal regulation which specifies that a farmer is never allowed to have more than 10 hectares available. We are an association made out of small producers and only having few hectares of land each at one’s disposal can ensure respect for the environment”.</p>
<p>Unfortunately the social funds are insufficient and the call of the farmers is desperate: “on behalf of the whole community we ask for a concrete help and a treatment for the Roya. We depend on coffee and if things continue this way it can only get worse. Nestlè gave an incentive to the farmers, but the seeds that the company wants to introduce are hybrids and are not fit to be used in the territory. Those improved seeds may be resistant to Roya, but on the other hand they could produce other parasites”. The eco-friendly farming is carried out using a growing method, the “bajo sombra,” i.e. in the shade of fruit trees and small gardens, following the rules of “Pacha Mama”, Mother Earth. This way of cultivation is very laborious because of the altitudes but it ensures a unique quality to the body and flavor of the grain.</p>
<p><a href="http://www.shoot4change.eu/wp-content/uploads/2015/07/015_s4coffee.jpg"><img class="alignright size-medium wp-image-13107" src="https://www.shoot4change.eu/wp-content/uploads/2015/07/015_s4coffee-300x200.jpg" alt="" width="300" height="200" /></a>“My plants nursery is full of trees,” says producer <strong>Lucas Salodado</strong> “Plants that need shade are of a better quality. AMSA produces coffee of such a quality that does require sun and that is the reason why they cut the trees of the forests, causing environmental damages. This is the main difference between the action of a small-scale producer’s organization and a large international company. Luckily Nestlé has still little leverage in this area, but the company tries to convince small farmers to buy their seeds because they are resistant to Roya, without explaining that such plants will have short life. My plantation will last at least 10 to 20 years, plans grown out from their seeds will last much less. Their plantations need chemical fertilizers, whereas we use some compost at the most. Our territories have a diversity of plants and as a consequence the soil is richer and full of nutrients”.<br /> ￼<br /> The Nestlé project was launched in August 2009 in Mexico City. It’s called Nescafé and includes a series of objectives that will allow the company to further optimize its coffee supply chain: in addition to the 200 million already invested in the last ten years, the corporation will allocate by 2020 additional 500 million in the coffee projects, doubling their direct purchases from farmers and their associations.<br /> From the Nestlé official website you can read that: “within 2020, 220 million coffee seedlings shall be distributed with an high yield and strong resistance to help farmers to regenerate their plantations and, consequently, to multiply the productivity of the existing lands in order to increase their income.</p>
<p>Nestlé has already distributed more than 16 million coffee seedlings in the last ten years. “But the Mexican farmers already know the type of coffee they want to produce and many of them want to be free to decide who to sell it and at what price”.<br /> “Nescafé is a plant produced in the lower part of Chiapas and is obtained by grinding beans similar to coffee ones and mixing them with a second choice coffee”. So says <strong>Ranulfo Roblero Rodriguez</strong>, a small producer. “I have been working for Cesmach for 19 years now. I cultivate the coffee since I was 14 years old, I am now 72. The Government is distributing these modified seeds to farmers but we continue to grow our quality, which is Almacigo”</p>
<p><strong><a href="http://www.shoot4change.eu/wp-content/uploads/2015/07/016_s4coffee.jpg"><img class="alignleft size-medium wp-image-13108" src="https://www.shoot4change.eu/wp-content/uploads/2015/07/016_s4coffee-300x200.jpg" alt="" width="300" height="200" /></a>Alfredo Rodriguez Velasquez</strong>, farmer and senior partner of Cesmach, explains: “Our qualities of coffee are Bourbon, Arabica and Marago, hybrid but old. We do not want the improved seeds that government is offering us. For us, people of the Sierra, planting their seeds is not convenient because such seeds have just 3 years of life, we would not have enough money, whereas our seeds are productive for even 60 years. We use our money to cultivate, but now we are asking the government for help in order to maintain the high quality of our coffee. Cesmach told us that ours is a good quality product and has to be sold at an higher price. The plants of Nestlé not only have a shorter life but also the taste of the coffee produced is poorer in quality”.</p>
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<p><strong>Shoot4Coffee</strong> is a <b>multi-disciplinary</b> project organized by Shoot4Change in Chiapas, aimed at improving the living conditions in the coffee farming.</p>
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<div>S4C cooperated with <b>CESMACH</b> to create a multimedia documentation of the current conditions of the Mexican coffee industry <b>to show the real economic and social cost of a cup of coffee</b>.</div>
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<p class="p1"><span class="s1"><a href="http://www.shoot4change.eu/wp-content/uploads/2015/07/022_s4coffee.jpg"><img class="alignright size-medium wp-image-13114" src="https://www.shoot4change.eu/wp-content/uploads/2015/07/022_s4coffee-300x200.jpg" alt="" width="300" height="200" /></a>Volunteers from Shoot4Change did not just document the living conditions in the plantations. They worked on the territory to provide health services to Chiapas’ residents through the creation of a <b>Medical Brigade based on volunteering</b>.</span></p>
<p class="p1"><span class="s1">Doctor Almeida Alejandra Velasco says: “Our aim is not only to safeguard people’s health: we want to show the locals that there is someone in the world that does care about their lives and their difficulties. We are here to help them to develop instruments and resources that will give them the opportunity to access services such as health and education. As well as bringing medicines to locals, we are also trying to convince them that they are not alone and we can do many things to help them. When we have a cup of coffee we need to reflect on what is hidden behind. Our aim is to give these people the opportunity to live and achieve happiness”.</span></p>
<p class="p1"><span class="s1"><b>The Medical Brigade has been operating, completely for free</b>, in 14 of the 32 communities where CESMACH works, for a period of 15 days. Examining 557 patients and distributing medicines for an overall value of about 2,500 Euro.</span></p>
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<p><strong>Shoot4Coffee Multimedia Team:</strong></p>
<p>Andrea Ranalli - Photography and Video<br />Eva Quesada - Photography<br />Francesco Scirè - Photography<br />Valerio Nicolosi - Video<br />Maria Novella De Luca - Photography</p>
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